Peterson A.T., Hewitt V., Vaughan H., Kellogg A.T. The Greenwood Encyclopedia of Clothing through American History, 1900 to the Present. Volume 1: 1900-1949
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Woodward, Bob, 2:70
Woolworths, 1:159 60
Working class families, depiction on
TV, 2:91 92
World Disarmament Conference,
1932, 1:42
World War I (WWI): America in, 1:4,
1:7, 1:19, 1:31; couture houses shut
down, 1:151; immigration to
America and, 1:7; mass production
techniques, 1:9; men’s fashions,
1:256 63; ready-to-wear
manufacturers, 1:155; slacker
marriages, 1:127; U.S. as a world
power, 1:36; women in the
workforce, 1:11, 1:96; women’s
fashions, 1:188 97
World War II (WWII): collapse of
haute couture during German
occupation of Paris, 1:153; economic
growth after, 2:3; effects on
American life, 1:44 45, 1:140 41;
ended Great Depression, 1:46;
fashion industry during, 1:153;
fashion magazines, 1:164; Glenn
Miller’s ‘‘In the Mood,’’ 1:79;
Hollywood films, 1:82 83;
mail-order catalogs, 1:165; Marshall
Plan, 1:45; men’s fashion, 1: 280 86;
Pearl Harbor, 1:20, 1:44 45, 1:48;
racial discrimination during,
1:50 51; scientific advances, 1:10;
treatment of Japanese Americans,
1:45; United States in,
1:5, 1:6,
1:20;
women in the workforce, 1:46,
1:141 42; women’s fashion,
1:223 36
World Wide Web, 2:10 11, 2:41. 2:43;
catalog and home shopping,
2:169 70; fashion communication,
2:174; sexual content, 2:151
Worth, Charles Frederick, 1:151
Wright, Frank Lloyd, 1:57, 1:72
Yom Kippur War, 1973, 2:33
Young Miss (magazine), 1960s and
1970s, 2:171
YSL, 1960s, 2:161
Yuppies, 79 80
Yves Saint Laurent (YSL), 2:52
Ziegfeld, Florenz, 1:64
Zimmermann telegram, 1:28, 1:31
Zippers, 1920s and 1930s, 1:166 67
Zoot-suit riots, 1:336
Zydeco, 1:81
390
Cumulative Index
About the Contributors
GENERAL EDITOR
Amy T. Peterson is the Vice-president of Course Development for Career
Education Corporation. Her background in costume history research
extends over twelve years, and she previously coauthored In An Influential
Fashion for Greenwood Press. Her other publications include Mythology in
Our Midst and the article ‘‘United Neighborhood Organization’’ in The
Encyclopedia of Chicago History. She received a Master’s degree in Public
History from Loyola Universit y and her Bachelor’s degree in History from
Illinois Wesleyan University.
CONTRIBUTORS
Valerie Hewitt is a full-time general education instructor for Remington
College Largo Campus in Florida. S he has an M.Ed. from Trinity
University in San Antonio, Texas. She has edited several dissertations in
addition to teaching students how to write.
Heather Vaughan is an independent fashion historian who has worked as a
guest curator, researcher, and lecturer at institutions including the de Young,
Phoenix Art Museum, Los Angeles County Museum of Art, and the Met-
ropolitan Museum of Art Costume Institute. Recent work includes an arti-
cle in the journal Dress as well as lectures for the American Culture/Popular
Culture Association and the Costume Society of America’s National Sym-
posium, among others.
391
Ann T. Kellogg is a Senior Industry Consultant with Campus Management
Corporation. Her background in costume history research extends over fif-
teen years, and she previously coauthored In An Influential Fashion for
Greenwood Press. Kellogg previously curated costume exhibits on fashion
designers and costume history including Givenchy and Traditions and Tran-
sitions for the Chicago Historical Society. She received both a Master’s
degree and a Bachelor’s degree in Costume and Textile History from
Michigan State University.
Lynn W. Payne is Executive Director of Higher Education for Renaissance
Strategies and previously was Vice President of Education for Career Edu-
cation Corporation, Vice President of Academic and Student Affairs at
American InterContinental University Online, and assistant professor of
marketing and management at Langston University. She received her Ph.D.
degree from the University of Oklahoma, M.B.A. from Golden Gate
University, and B.S. from James Madison University.
392
About the Contributors
Womens’ swimwear in 1918. [Scala/Art Resource, NY]
Two flappers gossip at a bar, 1928. [Mary Evans
Picture Library/Alamy]
Dress (Robe de Style), 1924-1925. [The Metropolitan
Museum of Art/Art Resource]
Stylish tunic dresses worn with fur stoles, 1915.
[Mary Evans P icture Librar y/Alamy]
Jantzen bathing suits, 1948. [Mary Evans Picture
Library/Alamy]
A Chinese influenced black dress by Madeleine Vionnet, 1923.
[Mary Evans Picture Library/Alamy]
A day suit, c. 1909. [Mary Evans Picture Library/Alamy]
Socks were colorful during the 1940s. They came in argyle, chevron, and
diamond patterns. Elastic was added to the tops of socks, so garters were no
longer necessary. [Lordprice Collection/Alamy]
Examples of girls’ and boy’s clothing in the 1940s. [ClassicStock/Alamy]
A 1910 advertisement for mens’ shirts.
[Lordprice Collection/Alamy]
An American fashion ilustration from 1935
shows men enjoying after-dinner brandy and
cigars. [Lordprice Collection/Alamy]
An advertising postcard for Abel Morrall’s
Hat Pins, c. 1905 [Amoret Tanner/Alamy]
Shirley Temple in the 1939 film The Little
Princess. [Photofest, Inc.]
Mens’ Army uniforms during World War I. [Library of
Congress]
A Gibson Girl in evening dress, with
decolletage neckline and pompadour hair
style, c.1901. [Library of Congress]