New-York—London, 2010. —289 p. Книга представляет собой попытку
теоретического осмысления и обоснования практики интервьюирования
применительно к устной истории хореографии. В приложениях дается
обзор неустаревших источников.
Contents:
Part I. Order. Reinventing oral history for quantitative researchers.
Part II. Design and tension. The tools of oral historian: the choreography of techniques and issues.
Part III. Balance and composition. Becoming an oral historian.
Part IV. Harmony. An art of making sense of oral history projects with a choreography of social justice.
Part I. Order. Reinventing oral history for quantitative researchers.
Part II. Design and tension. The tools of oral historian: the choreography of techniques and issues.
Part III. Balance and composition. Becoming an oral historian.
Part IV. Harmony. An art of making sense of oral history projects with a choreography of social justice.