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Murphy Robert. Realism and Tinsel: Cinema and Society in Britain 1939-48
Publisher: Routledge, London & New York, 1992. 296 pages. Language: English.

Looking at popular British film in the 1940s, Realism and Tinsel goes beyond the established
histories of the Ealing Comedies to excavate a rich tradition of melodrama, morbid thrillers and costume pictures.
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Colman Felicity. Deleuze and Cinema: The Film Concepts

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Publisher: Berg, New York, 2011. 192 pages. Language: English. Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russ...

DiMare P.C. (ed.) Movies in American History: An Encyclopedia

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ABC-Clio, 2011. - 1297 pp. Movies in American History: An Encyclopedia is a reference text focused on the relationship between American society and movies and filmmaking in the United States from the late 19th century through the present. Beyond discussing many important American films ranging from Birth of a Nation to Star Wars to the Harry Potter film series, the essays included in the volumes explore sensitive issues in cinema related to race,...

Dwyer Rachel. Filming the Gods: Religion and Indian Cinema

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Publisher: Routledge, London & New York, 2006. 208 pages. Language: English. Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India’s other cinemas. The book explores Indian cinema from early film-make...

Elsaesser Thomas, Wedel Michael (editors). A Second Life: German Cinema's First Decades

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Publisher: Amsterdam University Press, 1996. 352 pages. Language: English. German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. German Cinema performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors...

Friedman Lester D. American Cinema Of The 1970s: Themes And Variations

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Rutgers University Press, USA, 2007. 285 pages. Language: English. American Cinema of the 1970s, however, looks beyond the strobe lights to reveal how profoundly the seventies have influenced American life and how the films of that decade represent a peak moment in cinema history. The director-driven movies of this era reflect this turmoil, experimenting with narrative structures, offering a gallery of scruffy antiheroes, and revising traditiona...

Guneratne Anthony, Dissanayake Wimal. Rethinking Third Cinema

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Publisher: Routledge, New York & London, 2003. 256 pages. Language: English. This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted f...

Nagib L?cia. Brazil on Screen: Cinema Novo, New Cinema, Utopia

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Publisher: I. B. Tauris, London & New York, 2007. 200 pages. Language: English. What connects films of a particular nation, in a particular time? What makes them especially interesting and revealing? This book offers an original answer to these central questions for world cinema, focusing on the case of Brazil and the return of the utopian gesture into its cinema. In this extensively illustrated book, L?cia Nagib argues that the foundationa...

Nowell-Smith, Geoffrey - The Oxford History of World Cinema

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855 pp. Silent Cinema (1895-1930): The Early Years; The Rise of Hollywood; The Silent Film; National Cinemas; The Silent Cinema Experience Sound Cinema (1930-1960): Sound; The Studio Years; Genre Cinema; Engaging withe Reality; National Cinemas; The Post-War World The Modern Cinema (1960-1995): Cinema in the Age of Television; American Movies; Extending the Boundaries; Cinemas of the World; Conclusion

O'Brien Charles. Cinema's Conversion to Sound: Technology and Film Style in France and the US

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Publisher: Indiana University Press, 2005. 216 pages. Language: English. The conversion to sound cinema is routinely portrayed as a homogenizing process that significantly reduced the cinema's diversity of film styles and practices. Cinema's Conversion to Sound offers an alternative assessment of synchronous sound's impact on world cinema through a shift in critical focus: in contrast to film studies' traditional exclusive concern with the film...

Sadr Hamid Reza. Iranian Cinema: A Political History

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Publisher: I. B. Tauris, London & New York, 2006. 315 pages. Language: English. The book covers the broad spectrum of Iran's cinema, offering vivid descriptions of key films and recurring themes and tropes, such as the preponderance of images of childhood, and what these reveal about Iranian society.