
¡CHE VIVE! 211
States who declare their solidarity with Cuba and seek to lift the U.S.
economic blockade against his country.
Prominent public intellectuals such as Régis Debray in France, Jorge
Castañeda in Mexico, Alvaro Vargas Llosa in Peru (son of the famous
novelist Mario Vargas Llosa), Pacho O’Donnell in Argentina, and others
have done their best to demystify and dismiss the signifi cance of the en-
during popularity of Che, particularly among young people. One of the
most representative members of this group of critics is the British-born
liberal savant Christopher Hitchens, who supported the Cuban revolu-
tion in the 1960s but has since called himself a recovering Marxist. In
a 1997 review article of Jon Lee Anderson’s biography of Che and Che’s
posthumously published The Motorcycle Diaries Hitchens argued that
Che’s enduring popularity is a contemporary case of classic romantic idol-
atry. In what has become a familiar argument among intellectuals in the
United States and Europe for dismissing Che’s iconic popularity, Hitch-
ens asserts that “Che’s iconic status was assured because he failed. His
story was one of defeat and isolation, and that’s why it is so seductive. Had
he lived, the myth of Che would have long since died” (Hitchens 1997).
Thus, Hitchens and other intellectuals who share his perspective
claim Che “belongs more to the romantic tradition than the revolu-
tionary one,” since “to endure as a romantic icon, one must not just die
young, but die hopelessly” and, according to Hitchens, “Che fulfi ls both
criteria.” However, there is a fundamental factual inaccuracy and a false
premise in this thesis. Che did not die young. Someone who dies at 39
is hardly young (except to those over 50). His death was untimely to be
sure, but he was not young when he died. Furthermore, Hitchens and the
other intellectual demystifi ers of Che’s iconic popularity fail to compre-
hend the continuing political and ideological signifi cance of his iconic
legacy.
The waving banners, the graffi ti on the walls, the posters, the T-shirts,
the videos, the fi lms, the books, the pamphlets, the photos, the songs,
the tattoos, and the cries of “¡Che Vive!” on the lips of people around the
world provide overwhelming evidence that Che Guevara represents a
powerful symbol of one of the most outstanding examples in modern
history of resistance to injustice, inequality, exploitation, and political
domination. And this is true for people literally around the world. Che
continues to be a popular hero for many people—of all ages—for the