should be followed, and attention should be given to unequivocally
depicting the process of its development. Then, unity of emotions,
the harmony of interpretation can be satisfactorily achieved.
One cannot and must not explore the emotional themes of all the
characters to the same extent on the grounds that their emotional
world should be described in depth. If one does so, it is impossible
to maintain anyone’s emotional theme adequately and the
relationship between the main and secondary themes becomes
vague, so that the theme of the story cannot be kept alive and the
sequence of emotions will not be harmonious.
The audience can follow the main theme of the drama in any
scene with a sense of peace when attention is focussed on the main
character’s emotional theme and emphasis is placed on arousing the
main emotion, into which the emotional themes of the other
characters are channelled naturally.
If the emotions are to be defined in depth, it is necessary to
control them by following the character’s destiny.
People undergo the most serious experience when problems of their
destiny become important, or their destiny is decided and, as a
consequence, their emotional state becomes extremely sensitive. In
revolutionary films, in particular, the destiny of the heroes is related
to the future of the revolution, the country and the people, so that
their experience and the emotions which it arouses are all the more
critical and sensitive. The significance of an incident and of its
drama is highlighted when it is linked with the destiny of the