[102] Churchill’s historianship
them experience the need to write any kind of history; and
even fewer make their writing of history not only “scientific”
but works of art. Churchill did so: whence, in all probability,
his award of the Nobel Prize for literature (in 1953, and in a
country where most professional historians were still inclined
to regard history as a Science). But then he was in good com-
pany (although he did not travel to Stockholm for the cere-
mony): the only other historian who had received the Nobel
Prize for Literature was the great German historian Theodor
Mommsen in 1902.
In a stately (and plummy) essay J. H. Plumb writes that
Churchill “was a rare and singular hybrid: a writer-statesman
and a statesman-writer.”* I would prefer: a historian-states-
man and a statesman-historian. Churchill was a writer mainly
because he was attracted to history, not a historian because
he was attracted to writing. (Plumb, as we shall see, gives ade-
quate and even moving tribute to Churchill’s overwhelming
sense of history, but is critical of Churchill’s historianship.)
To the best of my knowledge only one full-size volume exists
about Churchill the historian, written by his once assistant
Maurice Ashley; other assessments of Churchill’s histori-
anship may be found in articles and addresses by Robert
Blake, Victor Feske, John Ramsden, David Reynolds.† I think
* J. H. Plumb, “The Historian,” in Churchill Revised: A Critical Assess-
ment. New York, 1969,p.143.
† Robert Blake, “Winston Churchill as Historian,” lecture in 1990 at
the University of Texas, rpt. in W. Roger Louis, ed., Adventures with
Britannia: Personalities, Politics, and Culture in Britain, Austin, 1995. Vic-
tor Feske, From Belloc to Churchill: Private Scholars, Public Culture, and