tively brief time, the Neanderthals disappeared forever. And fossil dat-
ings suggest that something similar was happening at about the same
time to Homo erectus in eastern Asia—as presumably it was to homi-
nids in various other parts of the world, too. For example, the jury is
still out on the peculiar phenomenon of Homo floresiensis, a short-
statured and small-brained hominid described not long ago from the
Indonesian island of Flores, where it appears to have survived until
under 20,000 years ago. If this is indeed a dwarfed island species of
hominid with its roots deep in time it, too, most likely met its end at the
hands of Homo sapiens.
Back at the western end of the Eurasian landmass, a number of vari-
ants of the Neanderthals’ ‘‘Mousterian’’ culture have been recognized.
On the whole, however, the Neanderthals’ technological production
remained rather uniform over the entire huge expanse of time and space
they inhabited. Not so that of the Cro-Magnons. With the arrival of
Homo sapiens in Europe, the pace of technological change picked
up dramatically. In every valley, it seems, local populations were devel-
oping their own local traditions, maybe even speaking their own dialects.
Over the course of the Upper Paleolithic, the Cro-Magnons’ heyday
between about 40,000 and 10,000 years ago, archaeologists recognize
four major cultural traditions in Europe, each marked by its own char-
acteristic expressions and named for the particular site at which it was
first identified. Each tradition lasted a longer or shorter period depending
on location, but broadly they can be described as follows.
The Aurignacian, brought into Europe by the first Cro-Magnons
about 40,000 years ago, expressed most of the innovations already
mentioned: early cave painting, music, carving, engraving, notation, and
so forth. About 28,000 years ago the Aurignacian culture disappeared
and was replaced by a culture known as the Gravettian, which produced
the earliest ceramic art, complex dwellings, elaborate burial, and sculp-
ture on rock walls and is known for the ‘‘Venus’’ figures (female rep-
resentations usually with exaggerated breasts and bellies) produced in a
variety of materials. About 22,000 years ago, the Gravettian was suc-
ceeded in some places by the Solutrean, which many consider to be the
high point of Stone Age flint-tool production, with its long, graceful,
and exquisitely worked ‘‘laurel-leaf ’’ points, many of which were far too
delicate to have been anything but ceremonial. Some Solutrean cave art,
like the Aurignacian before it, shows a command of form as fine as
anything ever achieved subsequently. The final phase of the Upper Pa-
leolithic era was the Magdalenian, which lasted from about 18,000 years
ago (the coldest point of the last glacial period) to about 10,000 years
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