I N D E X • 2 0 9
class, 73–5
Class (1990, Andrew Stones), 74
Colinet, André, 133–4
Collins
, Susan, 15
0
Collishaw, Matt, 152
Conrad, Peter, 129
Contortions (1983, Mike Stubbs),
74
Cottell, F
r
an, 191
Course, Anne, 37
Corps Etranger (1994, Mona
Hatoum), 49
Corr
ections
(1970, Vito Acconci),
17
Cotter
ell, Da
vid, 151–2
Cough (1986), Terry Dibble, 11
Cover Up, The (1986, Pictorial
Her
oes), 74
Co
x, Lei, 88
Cremaster Cycle (1994–2002,
Matthew Barney), 170–1
Crisps (1980, Steve Littman), 90
Cr
oss-Over (I Miss Y
ou) (1996,
Harrison and Wood), 167
Cubitt, Sean, 89, 145, 163
Curtis
, Da
vid, 136, 139
Curran, Michael, 67–8, 166
Cuthand, Thirza, 47
D
Dancing in P
eckham
(1995, Gillian
Wearing), 164
Danino, Nina, 80, 17
0
Darke, Chris, 162, 170, 189–90, 192
Dave in America (1981, David
Critchle
y), 84
Da
vis, Douglas, 27
Dawn Burn (1975, Mary Lucier),
27
Dead Mother (1995, Franco B), 180
Dean, T
acida, 172
Death V
alley Days (1984, Gorilla
T
apes), 1
10
Decker-Phillips, Edith, 36
De La (1971, Michael Snow), 28
Denning, R
oland, 1
18
Deodorant Commercial (1972,
William W
egman), 1
00–1
Derrida, Jacques, 76, 82, 161
Dial H-I-S-T-O-R-Y (1997, Johan
Grimonper
ez), 162
Dibbets
, Jan, 142
Dibble, Terry, 11
Dick, Vivienne, 42, 130–1
Doherty, Willie, 177
Domestic Landscapes (1992–1994,
Chris Meigh-Andr
e
ws), 73
Donebauer, Peter, 33–4
Donegan, Cheryl, 166
Douglas
, Stan, 1
02, 155, 183
Dovey, Jon, 110
Duet (1972, Joan Jonas), 53
Duguet, Anne Marie
, 133, 135
Duv
et Brothers, 113
Dynamic Field Series Part 1 (1971,
Peter Campus), 10
E
Eatherle
y
, Jill, 171
Eau d’Artifice (1991, Chris Meigh-
Andrews), 148–9
Eleven Years (1990, Louise
F
or
shaw), 131
Ellis, John, 97, 122–3, 137
Elwes, Catherine, 46–7, 49, 86–7,
93, 173
Emin, T
r
acey, 189
Eno, Brian, 145
Eternal F
r
ame (1975, Ant Farm),
106
ethnicity, 59–61
Evening (1994, Stan Douglas), 155
Etr
a, Bill and Louise
, 28
Extent of Three Bells, The (1981,
Steve Hawley), 122
F
F
amiliar Image
(1996, Nick
Stew
art), 181–2
Family of Robot (1986, Nam June
P
aik), 143–4
F
arrer, Steve, 151
Feldman, Yael, 166
female impersonation, 63–5
feminism, 38–58; and the body,
47–51; and the family,
42–7; and language, 77–8;
The Personal is Political,
39–41, 189
Ferguson, Bruce W., 64, 69
Ferguson, Russell, 165
film: conventions, 91; expanded
cinema, 171–2; in
the gallery, 168–72;
structuralist, 78–81
Finn-Kelcey, Rose, 10
Fisher, Hérve, 18
Fisher, Jean, 53
Flaxton, Terry, and Dedman,
Penny, 112
Flitcroft, Kim, 113–14
Flying Time (1982, Elsa Stansfield
and Madeleine Hoo
yk
aas),
57
formalists, ne
w, 181–4
Forshaw, Louise, 43, 50, 55, 131
Foucault, Michel, 23, 113
Fox, Terry, 9
Fragments of an Archetype (1980,
Catherine Ik
am), 145
F
renkel, Vera, 56, 149
Freud, Sigmund, 97
Froeser, Dieter, 87
Frye, Marilyn, 64
Fuses (1964, Carolee Schneemann),
181
G
Gale
, P
eggy, 123, 143
Gellman, Dara, 47
Gerz, Jochen, 27
Gidal, P
eter
, 78–9, 164
Gilbert, Gerry, 10
Gilbert and George, 10
Glass, Philip, 109
Goddard, Judith, 88, 147
Goldbacher, Sandra, 113–14
Goodwin, Dryden, 182
Gordon, Douglas, 161, 168–9
Gorilla Tapes, 110
Granny’s Is (1990, David Larcher),
125
Gr
anular S
ynthesis, 183
Greer, Germaine, 193
Greyson, John, 67
le Grice, Malcolm, 107, 151, 171
Grimonperez, Johan, 162
Gunning, Lucy, 53–4
Gusella, Ernest, 29
H
Hall, Da
vid, 3
1–2, 98, 117, 120–1,
135, 140, 141, 146–7, 155,
159, 166
Hammer and Knife (1987, Louise
F
or
shaw), 43, 50
Hamlyn, Nicky, 151, 170
Hannah’s Song (1986, Katharine
Meynell), 45–6
Harrison and Wood, 167
Hartney, Mick, 1, 33, 69–70, 119,
137, 144–5
Hatoum, Mona, 38, 49, 55, 18
1
Ha
wley, Steve, 70–1, 82–4, 122,
141, 171, 185
Hayward, Phil, 160
Heath, Steve, 79
Heaven (2000, Lloyd Branson and