most impressive room was a dining hall with a ceiling of green silk studded with gold roses and a floor 
covering of patterned taffeta. There was a King’s Side, a Queen’s Side, a suite for Wolsey, and one for 
Mary Tudor, who was to play a prominent role as Queen Dowager of France; all had spacious 
chambers decorated with gilt cornices and furnished with gorgeous tapestries, hangings of cloth of gold 
(silver or green and white), Turkey carpets, chairs and beds of estate, and buffets laden with plate. The 
windows were glazed with diamond-shaped panes crafted by Galyon Hone, and the chimneys were of 
stone. There was an exquisite chapel, “painted blue and gold”
 2 
and hung with cloth of gold and green 
velvet; on the altar was a great gold crucifix, along with ten candlesticks and large gold statues of the 
Twelve Apostles, and many holy relics. Inside and out, the palace was skilfully decorated with Tudor 
roses, antique work, and heraldic devices painted by artists such as the King’s Serjeant-Painter John 
Browne, More’s brother-in-law; John Rastell; Clement Armstrong, “a famous designer of pageants”;
 3 
and Vincenzo Volpe. The pitched canvas roof was painted to look like slates, and many of the ceilings 
were gilded. The Scots poet and monk Alexander Barclay, author of the satirical The Ship of Fools, was 
commissioned to write mottoes and verses to be added to the decorative scheme. The palace had offices 
for the White Sticks, as well as its own service complex.
The gateway was surmounted by a scallop-shell pediment, the royal arms, two large Tudor roses, and a 
golden statue of Cupid. On the lawn in front of the palace, beside a gilded pillar topped with a statue of 
the god of wine, Bacchus, there was a fountain “of ancient Roman work” from which flowed white 
wine, Malmsey wine, and claret, which would be free to all comers, day and night.
4 
Carved in the 
stonework was the invitation in archaic French, “Faicte bonne chere quy vouldra,” and chained to the 
fountain were silver drinking cups.
5
The most important courtiers were to be accommodated in Guisnes Castle; the rest were supposed to 
occupy 2,800 gaily coloured tents set up at nearby Balinghem. But there were not enough billets for 
everyone: some ladies and gentlemen paid local famers to put them up, while others had no choice but 
to “lie in hay and straw.”
6
In the Val d’Or, Richard Gibson, Master of the King’s Halls, Tents, and Pavilions, erected magnificent 
marquees for entertainments and banquets; three, for which the designs survive in the British Museum, 
were coloured green and white, blue and gold, and red and gold, and all were adorned with the King’s 
badges, beasts and mottoes.
7 
Henry himself had his own dining tent, of cloth of gold, which housed his 
privy kitchen. The whole camp was laid out according to the King’s wishes.
8
Enormous quantities of livestock and foodstuffs were purchased, including 2,200 sheep, 1,300 
chickens, 800 calves, 340 “beeves,” 26 dozen heron, 13 swans, 17 bucks, 9,000 plaice, 7,000 whiting, 
700 conger eels, 4 bushels of mustard, mountains of sugar for the subtleties that were to be made to 
impress the French, and gallons of cream for the King’s cakes.
 9
 The food bill alone came to £8,839 
(£2,651,700), of which £440 (£132,000) was spent on spices, while wine and beer cost £7409 
(£2,222,700).
10 
A vast round brick bread oven was set up in the Val d’Or, next to cooking tents housing 
huge cauldrons, with serving tables outside. Some subsidiary kitchens, such as the Wafery and Pastry, 
were established in nearby houses. Extra kitchen staff were hired—among them twelve pastry cooks, 
twelve brewers, and twelve bakers. Numerous pots, pans, and spits were supplied by London cooks at a 
cost of £377 (£113,100).
As well as provisions, many other items had to be shipped abroad, including tapestries, furnishings, and 
everything needful for tournaments: fifteen hundred spears from the Tower arsenal, one thousand 
Milanese swords, and a great number of high-strung horses. The armourers’ steel mill at Greenwich 
was moved in its entirety to Guisnes, where it was set up alongside four forges for the repair of armour 
and weapons.