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Abstract
This work provides an overview of various concepts of algorithmic composition.
Firstly, objective quality characteristics are identified so that different
approaches can be compared. Subsequently, a short historical review is given,
followed by a description of interesting paradigms and their value for musical
output.
Finally, two integrated models are depicted. These models are determined
to be promising because of their potential to lea, to model creativity
and because of their extensibility. A discussion at the end of this
work compares these concepts and discusses hybridization possibilities of
previously described paradigms
Abstract
This work provides an overview of various concepts of algorithmic composition.
Firstly, objective quality characteristics are identified so that different
approaches can be compared. Subsequently, a short historical review is given,
followed by a description of interesting paradigms and their value for musical
output.
Finally, two integrated models are depicted. These models are determined
to be promising because of their potential to lea, to model creativity
and because of their extensibility. A discussion at the end of this
work compares these concepts and discusses hybridization possibilities of
previously described paradigms