forms,
21
and as we can see with the way that local city elites and
rulers, accustomed to running the bureaucracy, continued in large
part to do so as part of the Umayyad administration.
22
Umayyad
coinage initially imitated or copied the issues produced by Roman
and Sasanian mints, before it eventually abandoned imperial imagery
and developed identities of its own.
23
Whitcomb argues that the
ams
ār, Muslim military camps, developed partially out of the plans
of the cities and Roman fortresses of the Near East.
24
The Umayyad
mosque in Damascus appropriated the holy powers of its predeces-
sors but, at the same time, used and advanced local Roman building
practices.
25
The rich mosaics used to decorate the mosque’s façade
find parallels in the exquisite examples at the church of St Stephen at
Umm al-Resas, produced in the early eighth century; the ‘map’ of
cities around the borders of the mosaic, labelled in Greek, suggests
that a Roman of the sixth century would not have found the cultural
vocabulary of the mosaics too difficult to recognise.
26
Such continu-
ities were rarely inert, and synthesis and innovation were an integral
part of these persisting trends.
27
So even if its cultural appearance was
21
A. Walmsley, ‘Tradition, innovation, and imitation in the material culture of
Islamic Jordan: the first four centuries’, in M. Zaghloul and K. Amr (eds.), Studies in
the History and Archaeology of Jordan, v. (Amman, 1995), 657–68, at 668.
22
Cf. C. Robinson, Empire and Elites after the Muslim Conquest: The Transforma-
tion of Northern Mesopotamia (Cambridge, 2000), 90; W. Liebeschuetz, ‘Late late
antiquity (6th and 7th centuries) in the cities of the Roman Near East’, Mediterraneo
Antico, 3/1 (2000), 43–75, at 67–71.
23
M. L. Bates, ‘The coinage of Syria under the Umayyads, 692–750 AD’,inM.A.
Bakhit and R. Schick (eds.), The Fourth International Conference on the History of
Bilād al-Shām during the Umayyad Period. Proceedings of the Third Symposium, 2–7
Rabī I 1408
A.H./24–29 October 1987 , 2 vols (Amman, 1989), ii. 195–228.
24
D. Whitcomb, ‘The Mis
r of Ayla: new evidence for the early Islamic city’,in
Zaghloul and Amr (eds.), Studies in the History and Archaeology of Jordan, v. 277–88,
at 287.
25
Kennedy, The Prophet and the Age of the Caliphates, 116–18. The Dome of the
Rock reused Roman architectural forms and the persistence of artistic convention is
revealed in its mosaics; on this see S. S. Blair, ‘What is the date of the Dome of the
Rock?’, in J. Raby and J. Johns (eds.), Bayt al-Maqdis. Abd al-Malik’s Jerusalem, 2 vols
(Oxford, 1992, 1999), i. 59–87; as well, K. A. C. Creswell, A Short Account of Early
Muslim Architecture (Harmondsworth, 1958), 38.
26
Bowersock, Mosaics as History,65–7; for the mosaics at Umm al-Rasas, see
too S. Ognibene, Umm al-Rasas: La Chiesa di Santo Stefano ed il «problema iconofobico»
(Rome, 2002), esp. 65–94, where they are described in detail; see too O. Grabar, The
Formation of Islamic Art (New Haven, 1973), 207–9.
27
As was the case with laws as well. For Roman contributions to sharī a law, see
P. Crone, Roman, Provincial and Islamic Law: The Origins of the Islamic Patronate
(Cambridge, 1987).
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