
ix
Preface
historians wanting to describe the politics of our age will need to
understand the concept of spin, and come to terms with the role of
the omnipresent spin doctors. But PR’s sinister profile doesn’t stop
there. For those exercised about globalization and troubled by the
power of big corporations, PR people are seen as the special forces of
capitalism. Many in the corporate world would counter that NGOs,
charities and other campaigning organizations are themselves adept
users of PR techniques: their publicity stunts are certainly a regular
feature of the media landscape.
Journalists can seldom resist writing disparagingly about public
relations, a faster growing, better paid and better resourced industry
than their own. Today PR provides the material for an ever larger
part of the content that increasingly pressurized journalists need to
produce to satisfy their publics, advertisers and shareholders. As the
media has developed new digital forms, PR has quickly responded,
exhibiting its power in the blogosphere and in other forms of “citizen
journalism”. So it is not surprising that journalistic resentment at PR
bubbles to the surface: indeed one of the main problems for PR’s own
image makers is that the journalists usually have the last word.
One motive for writing this book was to offer a PR voice in the
one-sided debate in which many journalists lament the difficulties
that beset their craft and, after pinning much of the blame on PR,
clutch at straws in their search for a solution. They do not want to
hear from the adversary they revile, and PR for its part gets on qui-
etly with its work. But PR is here to stay – and grow – and there is no
miracle cure for the travails of modern journalism. To fail to recog-
nize this is to remain trapped in an intellectual cul de sac. We think it
behoves a mature PR industry to suggest it may be part of the solu-
tion and not just a problem. A large and diverse PR industry may be
the most realistic and effective way of putting across the different
views and representing the different interests in society. Meanwhile
journalists will increasingly play the important but limited role of
reporting PR and refereeing PR struggles. This is likely to define the
shape of much of the modern media.
Journalism aside, not all popular perceptions of PR are dark and
gloomy. Alongside sinister spin doctors and Machiavellian PR gurus
exists the world of Sex and the City’s Samantha Jones, or of “AbFab”,
Absolutely Fabulous, the hit BBC comedy series. This is the milieu of
the “PR girl”, usually depicted as floating like so much froth on the
cappuccino of modern metropolitan life. PR girls do not only exist in
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