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Page 301
 (< *qwel- */qwl*)   (cf.  ),   (cf.  ),   (Skt. bhúdhanta).
More concealed examples are   'he feared' (<*dwei-/ *dwi-, see below on  ), the Homeric (Aeolic)   = 
 ( <*swad-, see p. 238) and   =   (aorist of  , but the etymology is unknown) <
*amrt*.
On the root aorists from bases with laryngeal suffixation, 
, etc., see above.
A sub-type of this class shows reduplication with zero grade of the root: in 
 'I slew' the constituent parts
are transparent: < *gwhen-*/*gwhn-*'slay', cf. 
 < *gwhen*-jo and   above. Others are 
 (etymology unknown),  , and possibly   < *se-sqwo*-man,, but this
may be < *e-sqw*-o-, with aspiration on the analogy of 
. The form   is traced to *we-wqw* (with zero
grade of the root weqw*- seen in 
), with dissimilation of the second w. For the reduplication cf. Skt. á < *a-
va-vc-a-t < *e-we-wqw*-e-t.
The most productive type of aorist (as in IE) was an athematic type formed by the suffix -s-, the sigmatic aorist,
which progressively replaced the strong aorists (
, etc.). In Sanskrit the root is lengthened
(vrddhied) in all numbers of the active, but in the middle the zero grade appears in roots of the structure CVSC,
where S=i, u or 
 (and more restrictedly elsewhere). In Greek Osthoff's Law would obliterate the distinction, e.g.
between *deiks- and deiks-. However, certain traces tilt the balance in fayour of the vrddhied stem also in proto-
Greek' the aorist passive 
 implies a root *wreg- (not *wreg-), to which the aorist   was formed. Again,
the vrddhi in the present 
 (as against the normal grade in  , Skt. járant-) has been ascribed to
an aorist 
 < *e-gers-m*. Such an analogical action must have taken place before the shortening of *egersa to
egersa (Osthoff's Law). An alternative explanation would find the source of the lengthening in an old athematic
aorist 
. In Greek there is no trace of the Ablaut alternation in this class, and the -a of the first singular (<  )
has been generalized as a kind of false thematic vowel, except in third singular, where  , etc. has the same
ending as the thematic imperfect and the perfect.
The Epic language presents some sigmatic aorists with
 
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