
IDEOLOGIES OF LIBERATION
be achieved, despite white opposition, in education and business.
John Chilembwe, from Nyasaland, attended a Baptist seminary
in Virginia in 1898-1900 and returned with two black missionaries
to found the industrial mission from which he launched his tragic
rebellion in 1915. Chilembwe's death seems to have been little
remarked by blacks outside Nyasaland; its history was written by
his fellow-countryman G. S. Mwase around 1930, but this was
not published until much later. However, widespread African
interest was aroused by Marcus Garvey, a Jamaican, who in 1914
founded the Universal Negro Improvement and Conservation
Association. Garvey's unusual eloquence soon won him a large
black following in New York, where he declared himself Pro-
visional President of Africa. Garvey had a more practical side:
taking up an idea floated by West Africans, he founded the Black
Star shipping line, wholly owned by blacks on both sides of the
Atlantic. To DuBois and the NAACP, Garvey was an impudent
demagogue. Aggrey denounced him; and in 1924 a young Sotho
student in the USA referred to him sarcastically as ' the self-styled
saviour of the African people'.
37
In the early 1920s Garvey tried
to settle US blacks in Liberia; this project collapsed, and so did
his shipping line. But Garvey was by no means eccentric in his
concern to strengthen economic links between blacks in the US
and Africa. This had long been a preoccupation of his associate
Duse Mohamed Ali, a 'Sudanese Egyptian' who between 1912
and 1919 had run a magazine in London which voiced the
grievances of colonial peoples and promoted their commercial
interests. Up to the late 1920s, West African traders made several
attempts, though none very successful, to escape the hegemony
of British import-export firms by selling direct to the USA with
the help of black American businessmen. And while Garvey
excited both traders and workers in West Africa, the writings of
black Americans made a great impact on the more educated
Africans. The 'Harlem Renaissance' of the late 1920s was a
reassertion of the cultural autonomy of black people: its leading
authors, Langston Hughes, Claude McKay, Countee Cullen and
Alain Locke made a particular appeal to black intellectuals in
South Africa, where the disjunction was sharpest between white
repression and black aspirations to share in the best that has been
thought and said in the world.
37
I. Geiss (tr. Ann Keep), The Pan-African
movement
(London, 1974), 489.
259
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