
fields or open plateaus. Large-scale shields were more
easily deployed than brush barriers, which required
significant human labor and large-scale construction,
and shields could be removed to another location
after use. Nonetheless, both shield walls and sakamogi
were vulnerable if confronted with fire, a weapon
favored by early medieval warriors.
Archery/Cavalry Strategy
Since oyoroi armor was heavy enough to slow progress
and freedom of movement, and the bows used in the
early medieval period were weak, Japanese archers
were forced to shoot at close range. With 10 meters
or less between the archer and the target, bowmen
had to carefully identify and target weaknesses in the
opponent’s armor. Further, early medieval samurai
horses had little endurance, especially at high speeds
and while bearing heavy loads, so armies utilized light
cavalry formations in which mounted archers were
surrounded by small groups of infantry circling and
regrouping in a manner that historian Karl F. Friday
has compared to aviators in a dogfight.
Signals and Identification
As armies increased in size, especially during the
Warring States period, opponents often had trouble
identifying each other and commanders could not
recognize important samurai amid the crush of bod-
ies. Signals became an effective means of controlling
troops from a distance during battles, since only
coordinated efforts could be successful. Strategies
included the use of items such as flags, drums, and
conch shells, as well as deployment of fire signals
and messengers. For instance, many samurai and
ashigaru affixed a sashimono, or personal banner, on
the back of their armor. The family crest (mon) of
the army commander was usually painted on the
field of the sashimono, which later developed into the
more visible vertical banner called a nobori carried by
standard bearers into battle. Similarly, recognizing
the potential of messengers, daimyo invested in
preparing elite corps of messengers. A commander
relied upon his messaging system to convey orders
to other generals and ensure timely compliance with
directives. These messengers were specially identi-
fied by cloaks or distinctive sashimono. For example,
Toyotomi Hideyoshi had 29 messengers, all of
whom were fitted with a golden sashimono. Nobu-
naga provided his messengers with a horo, a fabric
bag similar to a cloak attached to the back of the
armor, in either red or black.
During the Warring States period, as the military
became more professionalized and battles were plen-
tiful, specialized signaling and other means of identi-
fying entire companies as well as specific figures were
instituted. To ensure quick identification of opposing
forces at a distance or ready identification of a mili-
tary leader in poor weather, high-ranking figures had
elaborate helmets and other distinguishing charac-
teristics that made them readily recognizable. At the
dawning of this era of many feuding daimyo, the tra-
dition of affixing a sashimono was abandoned, perhaps
because such devices could hinder the progress of an
elite warrior. Regardless, high-ranking samurai had
attendants (standard-bearers) who were charged with
carrying the large vertical flag known as a nobori
identifying the entire company or unit.
Personalized armor or helmet elements func-
tioned like a crest which might be etched into or
painted on European armor to indicate one’s alle-
giance to a particular ruler. However, overall, Japan-
ese use of banners and flags contrasted with
European styles. Apparently, free-flying banners, as
commonly seen in recreations of European battles,
were not favored in Japan. The most typical banner
style of the 15th century and after, the nobori, was a
long, vertical piece of fabric that hung from the arm
of a pole, which could be easily seen from both sides.
Essentially these were larger versions of sashimono
made more visible as well as less personal, a change
that underscores the increasing grandeur of well-
orchestrated combat at the end of the Warring
States period.
Other types of flags and banners served diverse
purposes. Signal flags (as well as fires) could be
employed in directing unit movements. Another
banner used for identification was the uma-jirushi, or
horse insignia, which was worn by the standard-
bearer of a daimyo and used to determine whether a
leading figure had lost his mount.
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