were collected by the master of ceremonies for an audience with the
monarch, Fath Ali Shah.
It was a magnificent occasion,
3
in keeping with the Persian love of
ceremonial and outward show. ‘The arrival of a foreign embassy,’ wrote
Sir John Malcolm, who had visited Tehran as the representative of the
East India Company,
is deemed one of the occasions when the king ought to appear in all his
grandeur. The ceremonies of the reception appear to have been sub-
stantially the same in all ages …The envoy advances with his suite and
escort to one of the interior gates of the palace …When he dismounts
he is conducted into a small apartment, where he is met by one of the
principal officers of the government. After being seated there for some
minutes the King is announced to be on his throne and the ambassador
proceeds to the hall of audience. That splendid room, the floor of which
is raised about eight feet from the ground, is situated in a garden inter-
cepted by regular alleys and fountains; from the throne to the entrance
of the gardens, the princes, ministers, nobles, courtiers and royal
guards are ranged in their respective ranks: but the splendour of these
officers, who are robed in their richest habits, is eclipsed in a moment,
when the eye glances at the sovereign whose throne and dress are
covered in the most precious jewels. As the ambassador advances
between two officers, whose gold enamelled wands are the badges of
their high stations, he is twice required to make an obeisance. When near
the throne the lord of requests (the Eshik aghasi bashi) pronounces his
name, and that of the sovereign by whom he is sent. The King then says,
in reply, ‘You are welcome’, and the envoy proceeds to take his seat in
the same room, but at some distance from the king. After the ceremony
of delivering the letter of credentials is past, the monarch repeats that he
is welcome, and generally enters into a conversation calculated to make
the visitor feel at ease and to substitute more pleasing impressions for
those which the imposing pomp of the scene had inspired.
Griboyedov, in attendance on Mazarovich, would have been present at
just such a scene. His notes add further details: the three salvos of
light cannon fired to greet them, the royal elephant bearing presents
of money, the mullahs pronouncing poems in their honour, trumpets,
presentations, more poems and, irritatingly for the Russians, a band
striking up with ‘God Save The King’.
4
His article for Le Conservateur Impérial, in which he had already
described the mission’s interviews with Abbas Mirza, gave a deliberately
anodyne picture of their reception. He described how affably the Shah
had spoken to Mazarovich and the other members of the mission,
‘conceding on this a point of etiquette whereby a great distance should
be preserved between the rulers and the ruled’. ‘Such intimacies,’ he
concluded, ‘confirm the excellent relations between our two powers.’
Diplomacy and Murder in Tehran
66