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From PR to propaganda
designed to enhance the relationship between an organ-
ization and the public and, as such, is a branch of propa-
ganda, albeit a nicer way of describing it.
26
The idea that propaganda and public relations are to some degree
interchangeable terms helps explain the way in which American
pioneers of public relations such as Ivy Lee
27
and Carl Byoir
28
were
able to work for the Nazis, and how, or so the story goes, Goebbels
made use of Bernays’ writings.
29
It was presumably the US PR
industry which Goebbels had in mind when he said: “After the war
I’ll go to America. There at least they will appreciate a propaganda
genius, and pay him accordingly!”
30
So what, if anything, really distinguishes public relations from
propaganda? Our contention is that there are no real moral distinctions:
both practices are essentially amoral, capable of serving any cause.
However there are some practical differences. The ubiquity of propa-
ganda as a term arises from the fact that it does not just describe a
debating technique or particular mode of persuasion such as media
relations. Instead, rooted in the work of the Roman Catholic Church,
an organization with universalist claims which had every known
means of persuasion at its disposal, it is all-encompassing.
Thus propaganda is perhaps best seen as describing the orchestra
of persuasion. Propagandists exploit all possibilities for influencing
human thought and action. These overlap but include education, all
forms of art, architecture, interior design, literature, music, clothing,
advertising, speeches, ritual, ceremonies, parades, sport … anything
and anywhere where the human senses can be engaged in a way that
enables people to influence others. It is telling that the sheer scope
and scale of the levers available to the propagandist mean that in
practice full control over them resides with the ultimate leader – a
Hitler or a Stalin – and not with any subordinate. Hitler, who started
his rise to power in the Nazi Party as the person in charge of propa-
ganda, never allowed anyone else to conduct the full orchestra: even
Goebbels’ role was carefully circumscribed. Propaganda work in the
Soviet system was also carefully parceled out.
Public relations might have grown to be a significant section
within the orchestra, but other sections remain important. PR may
try to use other propaganda techniques as it pursues its persuasive
goals, but it has a different history – one that contributed to its rise as
distinct discipline during the last century. PR can be seen historically
as a response, initially by commercial interests and governments,
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