210 Battle for the Castle
Castle intellectuals from the interwar era also sought to claim Masaryk’s
legacy. Some, in wartime exile, had tried to keep the Masaryk cult alive as
part of the Czechoslovak propaganda effort.
173
They continued their efforts
between 1945 and 1948. One example is the 1947 volume edited by Josef
Hoffman and Oskar Odstr
ˇ
cil, titled T.G.M. as We Saw Him. This book
represented an obvious attempt to adapt Castle tenets and the Masaryk cult
to the postwar era: its essays and selections emphasized “Slavonic” politics,
the importance of Slovak culture and values within Czechoslovakia, and
Masaryk’s dedication to true, “social” democracy rather than nineteenth-
century-style oligarchic liberalism. The book’s flyleaf holds a pen-and-ink
drawing of Masaryk by Communist Adolf Hoffmeister. The next item in the
book is a reprint of Masaryk’s handwritten thoughts on the term ˇclovˇek,or
person. The short piece concludes, “the term ‘
ˇ
clov
ˇ
ek’ [encompasses] various
races, nations, and social classes = nationality + social-ness [sociálnost] all in
one.” The book’s first long prose piece is a speech excerpt by Milan Štefánik,
Masaryk’s Slovak colleague abroad during the Great War; its first sentence
reads, “I proclaim that Masaryk always was and is a good Slav.”
174
Many of
the recollections of Masaryk are by Slovaks, in Slovak. Many are by generals.
Also, Masaryk as the hero of the prewar myth was now presented as more
human, even flawed. In his contribution, painter Max Švabinský recalled
asking the president about the worsening international situation in 1933.
Masaryk insisted uncategorically that there would be no war: “Who would
want a war? Only the Germans, and they are encircled and held in by all of
Europe. Not even in twenty years will there be a war. And also, for war there
needs to be money, and there isn’t any.” Švabinský concluded, “This time
the great president was wrong.”
175
Among the Castle writers, Ferdinand Peroutka remained one of
Czechoslovakia’s most important voices in the postwar era. Peroutka had
been arrested in the fall of 1939 and sent to Dachau and Buchenwald. He
spent twenty-seven months in solitary confinement during his six years in
concentration camps. Twice, the Nazis were said to have brought Peroutka
back to Prague; they offered him freedom and a lavish lifestyle if he would
agree to edit Pˇrítomnost in collaboration with the Protectorate authorities.
Twice Peroutka refused and was returned to the camps.
176
Following the
war, he founded a new magazine, Dnešek (Today).
Like Beneš, Peroutka represented a connection to the First Republic and
the Castle; like Beneš, the experiences of Munich, the Second Republic, and
the war had caused Peroutka to reject many of his earlier ideas. Unlike Beneš,
Peroutka’s postwar work sought a First Republic past worth keeping, a past
that might temper the excesses of the present. His skepticism toward power
now turned toward the Czechoslovak Communist Party and the Soviet
Union. He agreed, for instance, that Masaryk would in principle approve