RITUAL
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RITUAL
Ritual is normally defined as gestures and, often,
linguistic actions that follow a preestablished
schedule and have a communicative purpose. An-
thropologist Roy Rappaport (1926–1997) defined
ritual as “the performance of more or less invari-
ant sequences of formal acts and utterances not
entirely encoded by the performers” (p. 24). Ac-
cording to this minimal definition, rituals occur
among animals and human beings. Religious ritu-
als are a subgroup of human rituals. A more spe-
cific definition depends on the definition of reli-
gion, which normally refers to ultimate values or
transempirical beings.
Ritual is related to phenomena such as rite,
cult, service, liturgy, ceremony, and feast. Rite
often designates a single ritual act, ritual a series of
rites. Quasi-synonyms such as cult and service des-
ignate a subclass of religious rituals. Liturgy nor-
mally means the spoken part of a service. Cere-
mony designates religious and nonreligious rituals,
often with a connotation of something superficial,
formal, less important. Feast can designate a class
of rituals with a connotation of the uncontrolled,
chaotic, and a violation of norms.
Ritual is normally understood as being a col-
lective phenomenon. The Scottish scholar W.
Robertson Smith (1846–1894) regarded religious rit-
uals as more basic than doctrines or individual con-
victions, rituals being common for a group and rel-
atively durable, while doctrines and convictions
may vary individually and are more vulnerable to
changes over time. French philosopher and sociol-
ogist Émile Durkheim (1858–1917) regarded rituals
as the occasions where the holy is articulated and
preserved. Religion, the rational core of which is a
society’s morals, ideals, and principles, is mediated
to the individual participants when they gather to-
gether to form a community. The assembly also
signifies a rupture with the routines of daily life.
Therefore, a certain effervescence, conditioned by
group psychological mechanisms, often arises,
where the individual participants experience a mo-
ment of self-forgetfulness and of collective identity.
Hereby the individual’s obligation toward common
ideals is strengthened; new ideals may also develop
more or less spontaneously in such gatherings. All
religion, and in fact all social fabric, from the most
archaic to the most modern forms, presupposes
gatherings with at least a touch of effervescence.
Henri Hubert (1872–1927), Marcel Mauss
(1872–1950), and Arnold Van Gennep (1873–1957)
described a basic syntagm in three parts for all rit-
uals: first, the participants are drawn out of the
profane, daily world; second, the central acts are
performed; finally, the participants are reconnected
with the profane. Van Gennep pointed out the uni-
versal occurrence and significance of rituals of
transition and initiation
The effervescence of ritual and its partial vio-
lation of norms was elaborated by Roger Caillois
(1913–1978) and Georges Bataille (1897–1962),
who emphasized the extravagant consumption of
values in feasts and offerings. Mircea Eliade
(1907–1986) saw ritual as an occasion for the abo-
lition of historical and linear time and for contact
with archaic notions of the origin of the world and
the regeneration of life. Victor Turner (1920-1983)
analyzed the central part of initiation, the phase of
liminality, as a state where the structures of nor-
mal life are suspended, the normal differences be-
tween the participants are replaced with a tempo-
rary community and brotherhood or sisterhood (a
communitas), and often the initiates are under
strict surveillance of ritual leaders with extensive
authority. Typically, the initiates are instructed in
the mythic and normative foundation of their soci-
ety, but alternative understandings of life and
norms may also be articulated. Turner has seen
tendencies to formations of permanent forms of
communitas in, for example, monastic movements
and pilgrimages. According to Turner, the fertile
chaos of liminality has been the origin of theater
and performance.
Walter Burkert (1931– ) and René Girard
(1923– ) both emphasized bloody sacrifice as a
central ritual; here a group of human beings miti-
gates internal aggression by directing it toward a
designated animal, which is slaughtered and some-
times eaten. Inspired by ethological studies, Burk-
ert stressed the origin of rituals in the life of ani-
mals; rituals are sequences of actions, where an
original pragmatic purpose has been replaced by a
communicative content. To Burkert, different ritu-
als can have different origins. Girard assumed that
rituals of all types have been “generated” by a
common original form, which is the spontaneous
expulsion of a common adversary, a scapegoat.