Photogrammetry and Remote Sensing 56-17
56.4 Instruments and Equipment
Stereoscopes
Stereo viewing is possible with the unaided eyes if conjugate imagery is placed at a spacing approximately
equal to the eye base, at a comfortable distance in front of the eyes. Prolonged viewing at such a distance
may produce eye fatigue and therein lies the value of a stereoscope. A simple lens stereoscope allows the
eyes to focus comfortably at infinity, thus permitting longer working sessions. For frame photographs,
the overlapping pair should be laid out with the flight lines coincident and the spacing adjusted for
comfortable viewing. Only a small portion of a standard 23-cm photograph overlap area can be viewed
in this way, and some bending of the paper prints may be necessary to access the full model area. A
mirror stereoscope, being larger, permits viewing of almost an entire overlap area, at a necessarily smaller
scale. Approximate elevations can be read via a parallax bar and the associated 3-D measuring mark.
Some modern softcopy stereo viewing systems employ nothing more than a simple mirror stereoscope
to view conjugate imagery presented in split-screen mode on a video monitor.
Monocomparator, Stereocomparator, Point Marker
Both of the comparator instruments have been largely superseded by the analytical plotter, which is really
nothing more than a computer-controlled stereocomparator. In any case, a monocomparator is a single
two-axis stage with a measuring microscope and a coordinate readout, preferably with an accuracy of
1 or 2 micrometers. A stereocomparator is a pair of two-axis stages which permit stereo viewing by a
pair of measuring microscopes, and simultaneous coordinate readout of two pairs of ( XY ) coordinates.
Accuracy levels should be comparable to that mentioned for the monocomparator. Both of these com-
parator instruments are used chiefly for aerial triangulation, bridging, or control extension. In this process,
all control points and pass points are read for all photographs in a strip or block. The photos are then
linked by geometric condition equations and tied to the ground coordinate system, thus producing
ground coordinates for all observed pass points. These pass points may then be used for individual model
setups in a stereo restitution instrument. If pass points are desired in an area of the photograph without
identifiable detail points, artificial emulsion marks or “pug points” are introduced by a point marker or
“pug.” These marks are typically 40- to 80-micrometer-diameter drill holes in the photograph emulsion,
sized to be compatible with the stereo measuring device.
Stereo Restitution: Analogue, Analytical, Softcopy
Early instruments for map compilation consisted of optical projectors and a small viewing screen with
a means to direct the image from one projector to the left eye and from the other projector to the right
eye. This binocular separation was effected by anaglyph (red and blue filters), by mechanical shutter, and
by polarization. Analogue instruments in use today employ exclusively mechanical projection in which
a collection of gimbals, space rods, and cardan joints emulate the optical light paths. All analogue
instruments must provide a way to re-create the inner camera geometry by positioning the principal
point (via the fiducial marks) and setting the principal distance or focal length. These steps constitute
the interior orientation. A procedure is also necessary to reestablish the relative orientation of the pho-
tographs at instant of exposure. This is accomplished by clearing y-parallax, or y displacement in model
space between the projected images, in at least five points spaced throughout the model. For the point
layout in Fig. 56.13 the sequence of steps for two-projector relative orientation is as follows:
1. Clear at point 1 with kappa-right.
2. Clear at point 2 with kappa-left.
3. Clear at point 3 with phi-right.
4. Clear at point 4 with phi-left.
5. Clear at point 5 with omega-left or omega-right.
6. Check for no parallax at point 6.