
Environmental Encyclopedia 3
Annie Dillard
P
ERIODICALS
“Earth Almanac: Why Are Frogs and Toads Knee-Deep in Trouble?”
National Geographic 183 (April 1993).
Digester
see
Wastewater
Annie Dillard (1945 – )
American writer
Often compared to the American naturalist
Henry David
Thoreau
, Dillard—a novelist, memoir writer, essayist, poet,
and author of books about the natural world—is best known
for her acute observation of the land, the seasons, the chang-
ing weather, and the
wildlife
within her intensely seen
envi-
ronment
. Though born in Pittsburgh, Pennsylvania on April
30, 1945, Dillard’s vision of nature’s violence and beauty
was most fully developed living in Virginia, where she re-
ceived her B.A., 1967, and M.A., 1968, from Hollins Col-
lege. She also lived in the Pacific Northwest from 1975–
1979 as scholar-in-residence at the University of Western
Washington, in Bellingham, and is adjunct professor of En-
glish and writer in residence at Wesleyan University, in
Middletown, Connecticut, where she lives with her husband,
Bob Richardson, and her daughter, Rosie. Since 1973, she
has also been a columnist for The Living Wilderness, the
magazine of the
Wilderness Society
, the leading organiza-
tion advocating expansion of the nation’s wilderness.
In 1975, Dillard won the Pulitzer Prize for general
nonfiction for her first book of prose, Pilgrim at Tinker
Creek (1974), subtitled “A mystical excursion into the natural
world,” in which she presented—quoting Henry David Tho-
reau—"a meteorological journal of the mind” based on her
life in the Roanoke Valley, Virginia, where she had lived
since 1965. Her vision of “power and beauty, grace tangled
in a rapture of violence,” of a world in which “carnivorous
animals devour their prey alive,” is also an intense celebration
of the things seen as she wanders the Blue Ridge mountain-
side, the Roanoke creek banks, observing muskrat, deer, red-
winged blackbirds, and the multitude of “free surprises” her
environment unexpectedly, and fleetingly, displays. Seeing
acquires a mystical primacy in Dillard’s work.
The urgency of seeing is also conveyed in Dillard’s
only book of essays, Teaching A Stone To Talk (1982), in
which she writes: “At a certain point you say to the woods,
to the sea, to the mountains, the world, Now I am ready.
Now I will stop and be wholly attentive.” Dillard suggests
that, for the natural phenomena that we do not use or eat,
our only task is to witness. But in witnessing, she sees cruelty
and suffering, making her question at a religious level what
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mystery lies at the heart of the created universe, of which
she writes: “The world has signed a pact with the devil...The
terms are clear: if you want to live, you have to die.”
Unlike some natural historians or writers of environ-
mental books, Dillard is not associated with a specific pro-
gram for curbing the destructiveness of human civilization.
Rather, what has been described as her loving attentiveness
to the phenomenal world—"nature seen so clear and hard
that the eyes tear,” as one reviewer commented—allies her
with the broader movement of writers whose works teach
some other relationship to
nature
than exploitation. In Holy
the Firm (1977), her 76-page journal of several days spent
in Northern Puget Sound, Dillard records such events as
the burning of a seven-year-old girl in a plane crash and a
moth’s immolation in a candle flame to rehearse her theme
of life’s harshness, but at the same time, to note, “A hundred
times through the fields and along the deep roads I’ve cried
Holy.” In the end, Dillard is a sojourner, a pilgrim, wander-
ing the world, ecstatically attentive to nature’s bloodiness
and its beauty.
The popularity of Dillard’s writing during the late
1980s and 1990s can be judged by the frequency with which
her work was reprinted during these decades. As well as
excerpts included in multi-author collections, the four-vol-
ume Annie Dillard Library appeared in 1989, followed by
Three by Annie Dillard (1990), and The Annie Dillard Reader
(1994). During these years, she also served as the co-editor
of two volumes of prose—The Best American Essays (1988),
with Robert Atwan, and Modern American Memoirs (1995),
with Cort Conley—and crafted Mornings Like This: Found
Poems (1995), a collection of excerpts from other writers’
prose, which she reformatted into verse.
Though a minor work, Mornings Like This could be
said to encapsulate all of the qualities that have made Dil-
lard’s work consistently popular among readers: clever and
playful, it displays her wide learning and eclectic tastes, her
interest in the intersection of nature and science with history
and art, and her desire to create beauty and unity out of the
lost and neglected fragments of human experience.
[David Clarke]
R
ESOURCES
B
OOKS
Dillard, Annie. An American Childhood. New York: Harper and Row, 1987.
———. Encounters With Chinese Writers. Connecticut: Wesleyan University
Press, 1984.
———. Holy the Firm. New York: Harper & Row Publishers, 1982.
———. The Living. New York: Harper Collins, 1992.
———. Pilgrim at Tinker Creek. New York: Bantam Books, Inc., 1975.
———. Teaching A Stone To Talk: Expeditions and Encounters. New York:
Harper & Row Publishers, 1982.