
battleship’s relevance. During the 1920s, air power advocates such as Billy
Mitchell portrayed the battleship as passé and aviation as a technology and
weapon of the future. Popular literature, including science fiction, rein-
forced this and was part of what H. Bruce Franklin characterized as the
American fascination with “wonder weapons.”
4
The images of burning and
sinking battleships at Pearl Harbor went the rest of the way to discredit the
battleship and its champions. “Battleship admiral” became a pejorative
term, connoting a reactionary stubbornly clinging to tradition like the gen-
erals who blundered through World War I.
In lumping carrier admirals and battleship admirals together after the
Enterprise affair, I naively had accepted an aviation-biased history that for-
ward-thinking aviators had been oppressed by reactionary battleship admi-
rals before Pearl Harbor. This facile, but common, view has obscured the
realities of the battleship era. Intrinsic to this view was the idea that the pre-
war conservatism of the naval profession was so pervasive that only Japan-
ese use of aircraft carriers at Pearl Harbor brought about a new, vigorous
U.S. Navy run by aviator visionaries. Quite simply, the aircraft carrier, used
by an enemy not constrained by barnacle-encrusted conservatism, pro-
vided the catalyst for a change in the navy’s technological, social, and cul-
tural hierarchies as well as a fundamental change in the way the U.S. Navy
would organize itself and fight.
What bothered me as I delved into military history, and naval history
specifically, was the pervasive, simplistic technological determinism that
new technologies were “better” and the cause of new ways of war. The re-
lationship between military technology and strategic doctrine was por-
trayed as cause and effect. Military historians, like their colleagues in busi-
ness history, had succumbed too frequently to technological determinism,
making technology an exogenous factor—a “black box”—that has guided
the evolution of the military arts. A good example is Martin van Creveld’s
Technology and War (1989), which reads like a biblical account in which
the sword begat the musket, the musket the cannon, and so on, down
to nuclear weapons.
5
Such interpretations ignore any cultural or social
framework for technological innovation, development, cultivation, or re-
jection.
Over a decade ago, Merritt Roe Smith observed that military historians
have ignored technological enterprise in their attempts to “weave” military
history “more tightly into the fabric of American history.”
6
Not a great deal
has changed. In addition to more emphasis on technology, military history
Introduction
3