290
Index
Gracq, Julien, 119
grapheme. See character: graphic- and
personae-; trait
Grateful Dead, 229
Green Party. See Verts, les
Greg (Michel Regnier), 169, 173
Groensteen, Thierry, 11–12, 72, 84, 91–92, 100,
222, 234. Works: Astérix, Barbarella et cie,
74; Maîtres de la bande dessinée européenne,
74; Système de la bande dessinée, 12–13, 222;
The System of Comics, 12. See also Musée de
la bande dessinée; 9e art; tropes and stylistic
effects in bande dessinée
Guadeloupe, 8
“guerre d’Ataï, récit kanak, La,” 211n14
Guibert, Emmanuel, 4, 99. Work: Le photo-
graphe, 99
Guisset, Jacqueline, 184n3
Gulf of Tonkin Incident, 228. See also territo-
rial waters; Vietnam War
gutter in comics, 149
Guyane, 8
Halen, Pierre, 21, 167, 171, 173, 175, 179
Hansenne, Jacques, 185n11
hapax, 128
Hara-Kiri/L’Hebdo Hara-Kiri, 19, 74, 241–42.
See also Charlie Hebdo
Harrison, Jim, 243
Haynes, Jeff, 167
Heidegger, Martin, 122
Hendrix, Jimi, 242
Hergé (Georges Remi), 3, 5, 21–22, 47, 49, 55,
66n9, 72–74, 83, 97, 101, 134, 167, 169–71,
173, 176, 184n4, 213, 215; and anti-Semitism,
27–43; his denial of anti-Semitism in his
cartooning, 34–35; and ligne claire, xiv;
racism and fascism in works of, 19; sales
of his works after his death, 9. Fictional
characters: Blumenstein, 28–31, 33, 41,
42n3, 42n4; Dupond and Dupont (Thom-
son and Thompson), 102–3, 115n6; Had-
dock, 31, 37–38, 179; Isaac and Salomon,
29–30, 42n3; Krollspell, 32, 36–37; Laszlo
Carreidas, 31–32, 36–37; Mik Ezdanitoff
(Mik Kanrokitoff), 32, 38–40, 43n7;
Roberto Rastapopoulos, 31–38, 41, 42n4,
43n5; Tryphon Tournesol (Cuthbert Cal-
culus), 31. Live-action Tintin film: Tintin
and the Golden Fleece, 43n9. Tintin stage
play: Tintin aux Indes ou le mystère du
diamant bleu, 27. Works: Au pays de l’or
noir (Land of Black Gold), 55; Les bijoux
de la Castafiore (The Castafiore Emerald),
12; Les cigares du pharaon (Cigars of the
Pharaoh), 33; Coke en stock (The Red
Sea Sharks), 33; L’étoile mystérieuse (The
Shooting Star), 28–33, 38, 40–41; Le
lotus bleu (The Blue Lotus), 33; Le sceptre
d’Ottokar (King Ottokar’s Sceptre), 67n12,
134; Tintin au Congo (Tintin in the Congo),
4–5, 21, 42, 168–71, 173–74, 184n6; Tintin au
pays des Soviets (Tintin in the Land of the
Soviets), 42; Tintin en Amérique (Tintin in
America), 33; Tintin et l’Alph-Art (Tintin
and Alph’Art), 33; Tintin et les Picaros
(Tintin and the Picaros), 9; Vol 714 pour
Sydney (Flight 714), 27–43. See also Tintin;
Tintin magazine
Hermann (Hermann Huppen), 169, 175–76
hero, 47, 242; héros célibataire as a motif in
“Les cités obscures,” 131. See also aventurier
et aventure; romantic heroism
Herriman, George, 239. See also Krazy Kat
Heuvelmans, Bernard, 40
Histoire de Belgique 27, 169–70
Histoire de la bande dessinée en France et en
Belgique, 74
histoire . . . par la bande, L’, 20
Historial de la Nouvelle-Calédonie en bandes
dessinées (the Historial), 196, 198–200, 202,
204, 207, 211n16
historical time, 202
historicity (historicism, historicization),
186–87, 190–93, 196, 198, 207
historiography (historical knowledge), 201
history and history-making, 213; archives,
156, 162, 165n15; autobiography, 159–61;
commemoration, 157, 159, 161; critical
memory (mémoire critique), 165n18; dis-
tractions from (drawing away from, escap-
ing from), 186–91, 194–95, 209;