
5 AFRICAN CROSS-CURRENTS
autobiographies of Azikiwe (p. 938), Matthews and Nkrumah.
Bond has written a history of Lincoln University.
There is more guidance on language policy than on language
use in our period, but see Afigbo (1981) (p. 938) and Whiteley
(p.
975). For the press, whether African or non-African, one must
turn to regional studies, varying greatly in aim and quality, for
Senegal (Boulegue), Dahomey (Codo Coffi, Lokossou), Togo
(Guillaneuf), the Gold Coast (Jones-Quartey), Nigeria (Omu),
Belgian Congo (Berlage), Angola (Lopo), Mozambique (Dias,
Friedland), South Africa (Switzer, Cutten), Southern Rhodesia
(Gale),
Northern Rhodesia (Smyth), Uganda (Scotton), Tangan-
yika (Pipping-van Hulten, Westcott).
Only three historians, Amar Samb (p. 904), Cornevin and
Jadot, have attempted surveys of African writing in our period
which encompass all genres. Relevant studies of African writers
of non-fictional prose are confined to Senegal (Diop, p. 903; and
Amar Samb), Hausa theologians (Hiskett, p. 904), Yorubaland
(Law) and Buganda (Rowe, Twaddle). There is however a
considerable literature on
'
creative writing'; it includes a biblio-
graphy (Jahn and Dressier) and a biographical dictionary
(Herdeck), though both represent English work better than
French. Gerard has made indispensable surveys of work in
African languages, and there are also studies of literature in Arabic
(Amar Samb (p. 904), Goody), Hausa (Hiskett (p. 904)), Amharic
(Kane, Molvaer) and Xhosa (Jordan). Peires notes the power of
missionaries over Africans seeking publication. English-language
literature in South Africa has been sensitively studied by Couzens.
There are guides to work in French (Blair, Kesteloot) and
Portuguese (Hamilton); Lyall (p. 958) provides a contemporary
account of poets in the Cape Verde islands.
Much less attention has been paid to the history of the
performing arts; little has been written on the history of oral
poetry and song. Tracey led the way in southern Mozambique,
though his work has recently been reappraised by Vail and White,
who have themselves done research on the lower Zambezi. There
is a book by Said Samatar on Somali poetry, and an article by
Mwakasak on Nyakyusa oral poetry; Opland discusses the Xhosa
poet Mqhayi. African music receives extensive coverage in the
New Grove dictionary of music and musicians (1980, 20 vols.), but
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