Although the Supreme Court ultimately backed
away from imposing its substantive due process
analysis on economic legislation by the late 1930s,
its authority to review the substance of legislative
enactment continues apace today.
For more information: Currie, David P. The
Constitution in the Supreme Court: The First
Hundred Years, 1789–1888. Chicago: University
of Chicago Press, 1986; Kelly, Alfred H., Winfred
A. Harbison, and Herman Belz. The American
Constitution: Its Origins and Development. New
York: W.W. Norton & Company, 1991.
—Phyllis Farley Rippey
music censorship
Music censorship refers to changing, eliminating,
or otherwise suppressing individual songs or musi-
cal genres based on the content of the lyrics. Music
censorship, if undertaken by the government, is
generally a violation of the First Amendment
free speech clause. However, there are some cir-
cumstances when the government may regulate
musical lyrics on television and radio.
The First Amendment to the U.S. Constitution
says that “Congress shall make no law . . . abridg-
ing the freedom of speech.” This explicit restric-
tion on Congress’s power has thus far prevented
legislation that would permit or require music cen-
sorship, and no Supreme Court decisions expressly
deal with efforts to censor music. The Court has,
however, explicitly stated that obscene speech is
not protected under the First Amendment, and
this would be the standard applied to music.
Under MILLER V. CALIFORNIA, 413 U.S. 15 (1973),
speech is obscene (1) if the average person, apply-
ing contemporary community standards, would
fi nd that the material appeals to prurient inter-
ests; (2) if the material depicts or describes sexual
conduct in a patently offensive way; and (3) if it
lacks literary, artistic, political, or scientifi c value.
As discussed briefl y below, most music censorship
has been the result of either intense public pres-
sure, or indirect governmental pressure, to restrict
certain music in order to protect young people
from offensive lyrics.
Popular music has long been the bane of the
older generation. In the early 20th century, rag-
time, jazz, and blues were viewed with alarm
because they expressed, among other things, the
sexual side of human nature. By the 1950s, the
infl uence of radio and the emergence of rock and
roll combined to raise adult fears that sexually
suggestive lyrics were fostering perversion and
delinquency in young people. Radio disc jockeys
increasingly banned certain songs, often at the sug-
gestion of, or with the support of, local authorities
and religious groups. As television became more
prevalent in American society, efforts to censor
certain types of music spread to TV. For example,
when the Rolling Stones appeared on the Ed Sul-
livan Show in 1967, they changed the words of
“Let’s Spend the Night Together” to “Let’s Spend
Some Time Together” in response to Sullivan’s
belief that the original phrase was objectionable.
The 1960s and 1970s ushered in parental fears
of illicit drug use, as well as public outcries against
song lyrics that alluded to drugs. Among the more
controversial actions of the 1970s was a widespread
ban on John Denver’s “Rocky Mountain High”
because radio stations thought “high” would be
perceived as a reference to drug use. Otherwise,
lyrics deemed objectionable were often bleeped or
otherwise obscured by radio stations, sometimes
without the consent of the artists. In general,
music censorship was a local affair, with scant
attention paid by national public fi gures.
While, in general, the government cannot cen-
sor music sold in CDs or in other formats, it may
restrict what is broadcast on public airwaves. In
FEDERAL COMMUNICATIONS COMMISSION V. PACIFICA
FOUNDATION, 438 U.S. 726 (1978), the Supreme
Court upheld a decision by the Federal Commu-
nications Commission to fi ne a radio station for
the broadcast of George Carlin’s “Seven Dirty
Words” comedy routine because it contained sev-
eral four-letter words. Even though these words
were speech under the First Amendment, the
Court ruled that the FCC could prohibit the use
of these words on broadcast television and radio in
order to protect captured audiences and children
from hearing them. In general, as a result of this
decision, the FCC can censor broadcasts of some
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