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234

book.indd 234 4/7/06 12:26:21

INDEX

Page numbers in italics refer to figures and

tables

abstraction 192, 193, 195

adequateness 65–6, 68–70, 79–80

aesthetics

aesthetic

definition 7, 9–10, 102,

185, 186, 189

aesthetic typology 114–19, 136

creativity

relationship 7, 10, 64,

105

design 7, 8, 10, 51, 114–19,

136

ethics relationship 64, 97, 188

and fashion 11, 12, 58, 159

identifiers

in mass production 116,

117–18

and

industrial design 7–8, 10, 11,

142, 146, 153

longevity 40, 51, 87–8

and

obsolescence 58, 87, 117,

141, 142

and product design 7–8, 9–10,

11–12, 76

production 3, 7, 8, 9–10, 97,

140, 142, 146–7

and

surface quality 58, 70, 85,

87–8

and

sustainability 57–8, 70, 76,

114, 119–20, 201

sustainable design 81, 87–8,

136, 159, 186, 187–9, 198–9

Africa 23, 122

Age of R

eason 19 see also the

Enlightenment

Alexander, Christopher 121

Alignment 192, 193, 194

Amateur 37, 38

Amish 67

Anglicanism 19, 45

Arad, R

on 51

Arctic 30, 31, 36

Arctic Ocean 31

art

avant

-garde 11–12, 154

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Sustainable by Design

236236

design relationship 5, 64–5, 125,

126, 189

spirituality in 40, 41, 62, 64,

145–6

artefacts

considering 191–8

enduring 39–41, 43–8, 48–9, 53

ephemeral

39, 42–3, 53, 136,

169, 171–3, 181, 191

functional

40, 41, 42–3, 45–6, 48,

inspirational/spiritual

40, 41–2,

43–6, 48, 50–1

meaningful 40, 43–6, 48, 51,

55–9, 189–90, 198, 202–3

personal involvement 49–50, 54

physicality 46–7, 48, 51

in religion 40, 41–2, 43–6, 48

social/positional

40, 41–3, 48, 50,

sustainability

40, 41, 42, 43, 45,

Asian P

acific Economic Cooperation

Forum 24

avant-garde 11–12, 154

Baha’I 45

batteries 89, 140, 163, 164, 181, 196

Bauhaus 9

Bayley

, Stephen 10

beads see prayer beads; worry beads

Beckett, Samuel 149

Berlin W

all 128

Bhagavad Gita 59, 144

The

Bible 18 see also the Gospels; New

Testament

Bird Feeder (Wanders) 171

Black Square (Malevich) 145

Breuer

, Marcel 9

Britain 19, 58 see also England

British Columbia, Canada 57

Brundtland R

eport (1987) 15, 25

Buber, Martin 120–1, 126, 168, 169

Buchanan, Richard 101, 103

Buddhism 67

Bull, Hedley 16

business

environment

relationship 23, 24,

32, 33, 168

mediated approach 121, 167, 168

religion relationship 16, 18, 19

social issues 23, 33, 168

and

sustainable development 15, 23,

24, 29–30, 167, 168, 199

time relationship 141, 146, 147

Cage, John 11, 187

calculators 33–4, 115

Solar Calculator 90, 92, 152

Calvinism 19

Campbell, Joseph 104

Canada 21, 23, 57, 150, 169

Cancun, Mexico 23

candlesticks

Apple Candlestick 173, 175

otato Candlestick 173, 174

capitalism

9, 12, 22, 32, 33, 113, 127–8,

141, 170

Carson, R

achel 20, 25

Castiglioni, Achille 125

cathedrals 12

Catholicism 45, 46

CD players 34, 115, 130, 134, 177, 178

ceremony 56, 66 see also ritual

chairs

Kind-

of-Blue Chair 84, 87, 110

ow Chair 85, 86

Square Chair 85, 86

Chapelle du R

osaire, Vence, France 125

Chile 24

Christendom, W

estern 16–17

Christianity 16, 18, 67, 143–4 see also

Anglicanism; Catholicism;

Protestantism

the Church 19

Civil Rights Movement 21

clocks 115, 160, 192–3

Off-the

-Shelf Clock 183, 185, 190–1,

194–8

White Canvas Clocks 163, 164

Club of R

ome 21

coherence 130, 192, 193, 195–6, 197–8

computer games 63, 115

computers 57, 89–90, 129, 147

connectivity 193, 196

consumer

durables 53, 56, 115, 117, 139,

140

consumerism

design relationship 51, 53–4, 97

environmental impacts 43, 156, 166

fashion

encourages 34–5, 73–4, 125,

136, 154, 158, 202

book.indd 236 4/7/06 12:26:22

237

Index

mass production relationship 32,

35, 43, 116, 117, 198

and

product model variations 155,

159–60, 166, 170, 201–2

permanence issues 170

utility relationship 51, 63, 202

cotton industry 12

craft 36, 51, 69, 80, 99, 150

Crafts Council (UK) 190

creativity

aesthetics

relationship 7, 10, 64,

105

creative process 99–100, 101–2

design 8–11, 36–7, 61, 99–100,

101–2, 126, 166

and

meaning 12, 53–4, 57, 58,

and spirituality 61, 64, 104

sustainability

relationship 74, 76,

and visual myths 101, 102, 104–6

Cuba 20

Dalisi, Riccardo 126

Day, Christopher 121–2

De Stijl 9

Denis, Maurice 156

design

aesthetics

in 7, 8, 10, 51, 114–19,

136

art

relationship 5, 64–5, 125, 126,

189

avant

-garde 11–12

background 9, 22, 29, 142

consumerism relationship 51,

53–4, 97

and creativity 8–11, 36–7, 61,

99–100, 101–2, 126, 166

as critique 126, 186

decisions

100, 101–3, 105, 170,

186–9, 191, 197–9

of dominant components 154, 158

enclosure

and exposure 151, 152,

153–6, 155, 162

environmental issues 4–5, 7–8

ethical

issues 7–8, 37, 65, 188,

198

fashion

in 7–8, 11–12, 34–5, 74,

function

relationship 8, 11, 50, 61,

65, 126–7, 136–7, 151

of functioning components 153

‘

good’ design 7, 12, 54, 65, 76,

129, 136

key characteristics 38

local-

scale 25, 36, 38, 42, 55, 59

material culture relationship 9–13,

32–3, 36, 96–7, 147, 198–9

material goods 51, 53–4, 63,

65–6

of meaningful artefacts 51, 55–9

and

mediated approach 121, 136,

167, 171

and

personal involvement 54–7,

99–100, 101

preconceptions 9, 31, 34–5, 59

professionalization 35–6, 54, 121

spiritual

aspects 50–1, 61–2, 63,

64, 65, 67, 68–70, 129

subordinate components 154,

156, 158–60

and

sustainability 3, 51, 75, 76–7,

80 see also sustainable design

and

sustainable development 5–6,

29–30, 34, 35, 37–8, 54–5,

128–9, 136

and tacit knowledge 101–3, 105

technology

relationship 11, 12, 22,

36, 128

time relationship 142

utility

relationship 6, 8, 50, 64–5,

202

visual myths 101, 102–6, 107–

see

also industrial design; product

design

design education 7, 8, 9, 10, 12, 99

design for industry 36

Design for the R

eal World (Papanek) 22

dhoti 58–9

dilettante 37, 38

direct deed 121–2, 136

direct encounter 169, 171–2

disposable products 12, 51, 53, 140

diversity 35–6, 45, 79, 127–8, 162

Divested Design 1 (torch) 130, 131

Divested Design 2 (doorbell) 130, 132

Djenne Mosque, Mali 122

dominant components 154, 158

Doorbells 130, 132, 133

Droog Design 9, 51, 125

Duchamp, Marcel 11, 37, 101, 125

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