The promulgation of Slavophilism in the mid-
dle third of the nineteenth century marked the turn
from Enlightenment cosmopolitanism to the fixa-
tion on national identity that has dominated much
of Russian culture since that time. No life better
suggests that crucial change in Russian cultural
consciousness than Kireyevsky’s. He first ventured
into publicism as the editor of a journal that he
called The European. The journal appeared in 1830,
but was suppressed by the government after only
two issues, almost entirely on the basis of a fanci-
ful reading of Kireyevsky’s important essay, The
Nineteenth Century, in the inflamed atmosphere cre-
ated by the European revolutions of that year. This
traumatic event helped to end the Western orien-
tation of Kireyevsky’s earlier career and led to a se-
ries of new relationships, which, taken together,
constituted a conversion to romantic nationalism.
Kireyevsky’s childhood was spent in Moscow
and on the family estate (Dolbino) in the vicinity
of Tula and Orel, where the Kireyevsky family had
been based since the sixteenth century. His father
died of cholera during the French invasion of 1812,
and he, his brother Peter, and their sisters were
raised by their beautiful and intelligent mother,
A. P. Elagina, who was the hostess of one of
Moscow’s most influential salons during the 1830s
and 1840s. The poet Vasily Zhukovsky, her close
friend, played some role in Kireyevsky’s early ed-
ucation and he had at least a nodding acquaintance
with other major figures in Russian culture, in-
cluding Pushkin.
Kireyevsky studied with Moscow University
professors in the 1820s, although he did not actu-
ally attend the university. There, under the influ-
ence of Professor Mikhail Grigorevich Pavlov, his
interests shifted from enlightenment thinkers to the
metaphysics of Friedrich Wilhelm Schelling. After
graduation he became one of the so-called archive
youth, to whom Pushkin refers in Eugene Onegin;
he also frequented an informal grouping known as
the Raich Circle, as well as a kind of inner circle
drawn from it, called the Lovers of Wisdom (Ob-
shchestvo Liubomudriya), devoted to romantic and
esoteric knowledge.
After producing some literary criticism for the
Moscow Messenger, Kireyevsky spent ten months in
Germany, cultivating his new intellectual interest
in German philosophy. He was entertained by Hegel
in Berlin and attended some of Schelling’s lectures
in Munich, but, like many a Russian traveler, he
was homesick for Russia and returned earlier than
he had planned. The outbreak of cholera in Moscow
was the official reason for his hasty return.
After the fiasco of the European, Kireyevsky un-
derwent an intellectual and spiritual crisis from
which he emerged, at the end of the 1830s, a con-
siderably changed man: married, converted to Or-
thodoxy, and purged of many Western aspects of
his former outlook. His wife’s religiosity; his
brother’s interest in Russian peasant culture, and
his new friend Alexei Khomyakov’s belief in the su-
periority of Orthodox practice over the Western
confessions all worked on him profoundly.
The immediate catalyst for the first Slavophile
writings, however, was the famous “First Philo-
sophical Letter” of Peter Chaadayev, which ap-
peared in a Moscow journal in 1836. Chaadayev
famously found Russia’s past and present stagnant,
sterile, and ahistorical, largely because Russia had
severed itself from the Roman and Catholic West.
The discussion between Kireyevsky, Khomyakov,
and their younger followers over the next several
decades constituted a collective “answer to Chaa-
dayev.” Orthodox Christianity, according to the
Slavophiles, actually benefited from its separation
from pagan and Christian Rome. Orthodoxy had
been spared the rationalism and legalism which had
been taken into the Roman Catholic Church, from
Aristotle, through Roman legalism, to scholasti-
cism and Papal hierarchy. Russian society had thus
been able to develop harmoniously and commu-
nally. Although, since Peter the Great, the Russian
elite had been seduced by the external power and
glamor of secular Europe, the Russian peasants had
preserved much of the old, pre-Petrine Russian cul-
ture in their social forms, especially in the peasant
communal structure. Kireyevsky and the other
Slavophiles hoped that these popular survivals,
combined with an Orthodox revival in the present,
could restore Russian culture to its proper bases.
Kireyevsky expressed these ideas in a series of short-
lived journals, which appeared under the editorship
of various Slavophile individuals and groups. The
Slavophile sketch of the patrimonial and traditional
monarchy of the pre-Petrine period is largely fan-
ciful, as is that of the social and political life dom-
inated by a variety of communal forms, but such
sketches constituted a highly effective indirect at-
tack on the Russia of Nicholas I and on the devel-
opment of European industrialism. Kireyevsky’s
Slavophilism, with its curious blend of traditional-
ism, libertarianism, and communalism, has left
unmistakable marks on virtually all variants of
Russian nationalism and social romanticism since
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ENCYCLOPEDIA OF RUSSIAN HISTORY