
Environmental Encyclopedia 3
Rachel Louise Carson
humans. The final sections are quite restrained, drawing a
hopeful picture of the future, if feasible alternatives to the
use of pesticides—such as biological controls—are used in
conjunction with and as a partial replacement of chemical
sprays.
Carson was quite conservative throughout the book,
being careful to limit examples to those that could be verified
and defended. In fact, there was very little new in the book;
it was all available earlier in a variety of scientific publications.
But her science background allowed her to judge the credibil-
ity of the facts she uncovered and provided sufficient knowl-
edge to synthesize a large amount of data. Her literary skills
made that data accessible to the general public.
Silent Spring was not a polemic against all use of pesti-
cides but a reasoned argument that potential hazards be
carefully and sufficiently considered before any such chemical
was approved for use. Many people date modern concern
with environmental issues from her argument in this book
that “future generations are unlikely to condone our lack of
prudent concern for the integrity of the natural world that
supports all life.” It is not an accident that her book is
dedicated to
Albert Schweitzer
, because she wrote it from
a shared philosophy of reverence for life.
Carson provided an early outline of the potential of
using biological controls in place of
chemicals
, or in concert
with smaller doses of chemicals, an approach now called
integrated pest management
. She worried that too many
specialists were concerned only about the effectiveness of
chemicals in destroying pests and “the overall picture” was
being lost, in fact not valued or even sought. She pointed
out the false safety of assuming that products considered
individually were safe, when in concert, or synergistically,
they could lead to human health problems.
Her
holistic approach
was one of the real, and un-
usual, strengths of the book. Prior to the publication of
Silent Spring, she even refused to appear on a
National
Audubon Society
panel on pesticides because such an ap-
pearance could provide a forum for only part of the picture
and she wanted her material to first appear “as a whole.”
She did allow it to be partially serialized in The New Yorker,
but articles in that magazine are long and detailed.
The book was criticized early and often, and often
viciously and unfairly. One chemical company, reacting to
that pre-publication serialization, tried to get Houghton
Mifflin not to publish the book, citing Carson as one of the
“sinister influences” trying to reduce the use of
agricultural
chemicals
so that United States food supplies would dwindle
to the level of a developing nation. The chemical industry
apparently united against Carson, distributing critical re-
views and threatening to withdraw magazine advertisements
from journals deemed friendly to her. Words and phrases
used in the attacks included “ignorant,” “biased,” “sensa-
222
tional,” “unfounded,” “distorted,” “not written by a scientist,”
“littered with crass assumptions and gross misinterpreta-
tions,” to name but a few.
Some balanced reviews were also published, most
noteworthy one by Cornell University ecologist LaMont
Cole in Scientific American. Cole identified errors in her
book, but finished by saying “errors of fact are so infrequent,
trivial and irrelevant to the main theme that it would be
ungallant to dwell on them,” and went on to suggest that
the book be widely read in the hopes that it “may help us
toward a much needed reappraisal of current policies and
practices.” That was the spirit in which Carson wrote Silent
Spring and reappraisals and new policies were indeed the
result of the myriad of reassessments and studies spawned
by its publication. To its credit, it did not take the science
community long to recognize her credibility; the President’s
Science Advisory Committee issued a 1963 report that the
journal Science suggested “adds up to a fairly thorough-going
vindication of Rachel Carson’s Silent Spring thesis.”
While it is important to recognize the importance of
Silent Spring as a landmark in the environmental movement,
one should not neglect the significance of her other work,
especially her three books on oceans and marine life and the
impact of her writing on people’s awareness of one of earth’s
great natural ecosystems.
Under the Sea Wind (1941) was Carson’s attempt “to
make the sea and its life as vivid a reality [for her readers] as
it has become for me.” And readers are given vivid narratives
about the shore, including vegetation and birds, on the open
sea, especially by tracing the movements of the mackerel,
and on the sea bottom, again by focusing on an example, this
time the eel. The Sea Around Us (1951) continues Carson’s
treatment of marine biology, adding an account of the history
and development of the sea and its physical features such
as islands and tides. She also includes human perceptions
of and relationships with the sea. The Edge of the Sea (1955)
was written as a popular guide to beaches and sea shores,
but focusing on rocky shores, sand beaches, and coral and
mangrove coasts, it complemented the physical descriptions
in The Sea Around Us with biological data.
Carson was a careful and thorough scientist, an inspir-
ing author, and a pioneering environmentalist. Her
groundbreaking book, and the controversy it generated, was
the catalyst for much more serious and detailed looks at
environmental issues, including increased governmental in-
vestigation that led to creation of the
Environmental Pro-
tection Agency
(EPA). Her work will remain a hallmark
in the increasing awareness modern people are gaining of
how humans interact with and impact the
environment
in
which they live and on which they depend.
[Gerald R. Young]