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Lévy is the most prominent of the intellectuals
who have presented their work in the media,
especially the press and television. A philoso-
pher, trained at the elite École Normale
Supérieure, he came to public notice as lead-
ing promoter of the new philosophers in the
1970s, editing with Grasset a book series in
which many of its chief works were published,
including his own Barbarism with a Human
Face (La Barbarie à visage humain) in 1977.
The French Ideology (L’Idéologie française),
published in 1981, controversially pointed to
past Fascist tendencies in the French intellec-
tual Left. An energetic writer with a reputa-
tion as a charismatic and charming personal-
ity, he has held a number of regular columns
in the daily and monthly press, and has made
frequent appearances on television, including
his own 1990 series, The Adventures of Free-
dom (Les Aventures de la liberté). His media
presentation of ideas has been particularly
criticized by other intellectuals, for its superfi-
ciality and self-promotion. He is often referred
to as BHL, a reference to the BHV department
store. His ideas centre on the role of the intel-
lectual, and on the need for political and so-
cial involvement in favour of human rights.
He has actively promoted campaigns against
racism, Fascism and religious fundamentalism,
supporting organizations such as SOS
Racisme, and protesting against human rights
violations in Bosnia, Rwanda and Algeria.
MICHAEL KELLY
See also: Desk, Harlem, and SOS Racisme;
educational elitism; publishing/l’édition; rac-
ism/anti-semitism
Liberation
Newspaper
Taking its name from a Resistance newspaper
which continued publication until 1964, Lib-
eration began in 1973 as a radical daily left-
wing newspaper committed to carrying for-
ward the spirit of May 1968. Despite a number
of financial crises it has survived, and although
still on the Left, it has long abandoned its early
radicalism. The first issue of Liberation ap-
peared on 22 May 1973, although eleven is-
sues had appeared sporadically since 18 April.
The newspaper offered a heady mix of irrever-
ent libertarianism and militant workerism and
initially refused to carry paid advertising, de-
pending instead for its finances on its readers
and supporters. The paper belonged to the
staff, who were all paid the same wage (equiva-
lent to that of an unskilled factory worker in
the Paris area). Although by the end of 1980
sales had risen to around 41,000 (from around
18,000 at the end of 1975), the newspaper’s
financial position was far from secure and disa-
greements among the staff about the future
direction of the paper were intensifying. On
21 February 1981, a staff meeting agreed to
suspend publication of the paper and debate
its future development.
When Liberation reappeared on 13 May
1981, it was clear that the views of Serge July,
one of the initiators of the paper, had tri-
umphed. Under July’s direction, Libération
now set out to establish itself as a serious, pro-
fessional daily paper with a reputation for
quality coverage of cultural, literary and po-
litical issues. The commitment to workers’ con-
trol was jettisoned, a traditional structure re-
placed the non-hierarchical one, a new smaller
staff team was constituted through sackings
and the employment of journalists from other
papers—Liberation became a limited company.
Salary differentials were introduced, and from
February 1982 the newspaper accepted adver-
tising in an attempt to extricate itself from its
still-precarious financial situation. Politically
part of the mainstream Left, Liberation was
sympathetic to (if sometimes critical of)
Mitterrand and the Socialist government.
The circulation figures of the relaunched
Libération rose from 53,000 in 1981 to
195,000 in 1992, but sales were still only
about half those of its main rivals (Le Figaro
and Le Monde) and a long way off July’s long-
term aim of 500,000. Moreover, after the ex-
pensive failure of a regional newspaper, Lyon-
Liberation, and radio and audiovisual projects
Liberation