Jan Bloch, also known as Jean de Bloch and
Ivan Stanislavovich Bliokh, was born in Radom, in
the kingdom of Poland, to Jewish parents. He con-
verted to Calvinism in the 1850s and to Catholi-
cism upon his marriage into a prominent banking
family of Warsaw. Bloch made his fortune in the
railway boom of the 1860s, when he funded the
construction of rail lines in southwest Russia. He
was a strong advocate of liberal reform.
Bloch addressed the technical, economic, and
political aspects of modern, industrial war. He com-
bined a detailed analysis of military technology and
the changes it was bringing to the battlefield with
a strategic-operational assessment of the role of
railroads, and concluded that defense would dom-
inate the offense, making impossible a single, deci-
sive battle. Maneuver would give way to firepower
and positional warfare. Indecision, when coupled
with the capacity of modern economies to gener-
ate war materials for the front, would turn a gen-
eral European war into a protracted and bloody
conflict. Modern war in this form would lead to
social crisis and revolution. Bloch concluded that a
general European war would be so destructive that
statesmen would be prudent enough to avoid un-
leashing one.
Bloch’s pacifism was not utopian, but rather
was founded upon pragmatism and pessimism. Be-
hind Bloch’s analysis of future war stood several
decades of sustained study of railroads and their
impact on the national economy, national finances,
and the study of the so-called Jewish question and
modern anti-Semitism. Moreover, his research
work rested upon a methodology that was dis-
tinctly modern and interdisciplinary, involving the
collective research of specialists in a research insti-
tute. Bloch’s practical influence on the government
of Nicholas II was limited and short-lived, culmi-
nating in a call for a European disarmament con-
ference. Bloch opposed any military adventure in
the Far East. He died in 1902, before the Russo-
Japanese War provided a warning of political and
military things to come.
See also: MILITARY, IMPERIAL ERA; RAILWAYS
BIBLIOGRAPHY
Bloch, Jan. (1991). Is War Now Impossible? Being an
Abridgement of the War of the Future in Its Technical,
Economic, and Political Relations. London: Gregg Re-
vivals.
Kipp, Jacob W. (1996). “Soldiers and Civilians Con-
fronting Future War: Lev Tolstoy, Jan Bloch, and
Their Russian Military Critics.” In Tooling for War:
Military Transformation in the Industrial Age, ed.
Stephen D. Chiabotti. Chicago: Imprint Publications.
J
ACOB
W. K
IPP
BLOK, ALEXANDER ALEXANDROVICH
(1880–1921), poet, playwright, essayist.
Alexander Blok, one of Russia’s greatest poets
and a key figure in the Symbolist movement, was
born in St. Petersburg in 1880, into an aristocratic
family of German and Russian descent. His father
was a professor of law at the University of War-
saw and a talented musician; his mother, a poet
and translator. Blok’s parents separated shortly
after his birth; he spent his childhood with his
maternal grandfather, botanist Andrei Beketov, un-
til his mother obtained legal divorce in 1889,
remarried, and brought Blok with her into her new
apartment. Blok wrote verse from his early child-
hood on, but his serious poetry began around
age eighteen. He studied law without success at
the University of Petersburg, transferred to the
Historical-Philosophical Division, and received his
degree in 1906.
As a young writer, Blok made the acquaintance
of Symbolist poets, including Vladimir Soloviev
and Andrei Bely. His first poetry collection Stikhi o
prekrasnoy dame (Verses on a beautiful lady) was
published in 1904. Inspired by a mystical experi-
ence and his relationship with Lyubov Men-
deleyeva, daughter of the famous chemist, whom
he married in 1903, the poems, resonant with Ro-
mantic influence, depict a woman both earthly and
divine, praised and summoned by the poet. Despite
the sublime character of these poems, there are
early signs of rupture and disturbance; the suppli-
catory tone itself borders on despair.
Blok followed his first collection with the lyric
drama Balaganchik (The fair show booth), staged
in 1906, and his second poetry collection,
Nechayannaya radost (Inadvertent joy, 1907). These
propelled him to fame. From there he continued to
write prolifically, developing a distinctly tumul-
tuous and sonorous style and influencing his con-
temporaries profoundly. His unfinished verse epic
Vozmezdie (Retribution, 1910–1921), occasioned by
the death of his father, chronicles his family his-
tory as an allegory of Russia’s eventual spiritual
resurrection; the cycle Na pole Kulikovom (On the
field of kulikovo, 1908), celebrates Russia’s victory
BLOK, ALEXANDER ALEXANDROVICH
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ENCYCLOPEDIA OF RUSSIAN HISTORY