was doubtful of or positively hostile to a number
of the militants’ initiatives (e.g., in educational pol-
icy, literature, and architecture) when they came
to his attention. The fact that the Cultural Revolu-
tion was followed by what Nicholas S. Timasheff
called a “Great Retreat” in cultural and social pol-
icy in the mid-1930s strongly suggests that Stalin,
like Lenin before him, lacked enthusiasm for the
utopianism and iconoclasm that inspired many of
the young cultural militants.
The most influential of the militant organiza-
tions in culture, RAPP, had been agitating since the
mid-1920s for an abandonment of the relatively
tolerant and pluralist cultural policies associated
with Lunacharsky and his People’s Commissariat
of Enlightenment, and the establishment of un-
compromising “proletarian” (which, in the arts, of-
ten meant communist-militant) rule in literature.
RAPP’s pretensions were rebuffed in 1925, but in
1928 the atmosphere in the party leadership
abruptly changed with the staging of the Shakhty
trial, in which “bourgeois” engineers—serving as a
synecdoche for the noncommunist Russian intelli-
gentsia as a whole—were accused of sabotage and
conspiracy with foreign powers. At the same time,
Stalin launched a campaign for intensified recruit-
ment and promotion of workers and young com-
munists to higher education, especially engineering
schools, and administrative positions, with the pur-
pose of creating a “worker-peasant intelligentsia”
to replace the old bourgeois one. The obverse of this
policy was purging of “socially undesirable” stu-
dents and employees from schools, universities, and
government departments.
Stalin used the drive against the bourgeois in-
telligentsia to discredit political opponents, whom
he took pains to link with noncommunist intellec-
tuals accused of treason in the series of show tri-
als that began in 1928. “Rightists” like Nikolai
Bukharin and Alexei Rykov, who opposed Stalin’s
maximalist plans for forcible collectivization and
forced-pace industrialization, became targets of a
smear campaign that linked them with the class
enemy, implying that they were sympathetic to,
perhaps even in league with, kulaks as well as
“wreckers” from the bourgeois intelligentsia.
As an “unleashing” of militants in all fields of
culture and scholarship, as well as in the commu-
nist youth movement (the Komsomol), the Cul-
tural Revolution generated a host of spontaneous
as well as centrally directed radical initiatives. As
occurred later in the Chinese Cultural Revolution,
young radicals from the Komsomol launched raids
on “bureaucracy” that severely disrupted the work
of government institutions. Endemic purging of all
kinds of institutions, from schools and hospitals to
local government departments, often initiated by
local activists without explicit instructions from
the center, was equally disruptive.
Among the main loci of Cultural Revolution ac-
tivism, along with RAPP, were the Communist
Academy and the Institute of Red Professors, schol-
arly institutions whose specific purpose was to
train and advance a communist intelligentsia. Al-
though Stalin had contact with some of these ac-
tivists, and perhaps even toyed with the idea of
establishing his own “school” of young commu-
nist intellectuals, he was also suspicious of them
as a group because of their involvement in party
infighting and their admiration for the party’s two
most renowned intellectuals and theorists, Trotsky
and Bukharin. The young communist professors
and graduate students did their best to shake up
their disciplines, which were almost exclusively in
the humanities and social sciences rather than the
natural sciences, and to challenge their “bourgeois”
teachers. In the social sciences, this challenge was
usually mounted in the name of Marxism, but in
remote areas such as music theory the challenge
might come from an outsider group whose ideas
had no Marxist underpinning.
Long-standing disagreements over theory and
research took on new urgency, and many vision-
ary schemes that challenged accepted ideas found
institutional support for the first time. In architec-
ture, utopian planning flourished. Legal theorists
speculated about the imminent dissolution of law,
while a similar movement in education for the dis-
solution of the school did considerable practical
damage to the school system. Under the impact of
the Cultural Revolution, Russian cultural officials
dealing with the reindeer-herding small peoples of
the north switched to an interventionist policy of
active transformation of the native culture and
lifestyle. In ecology, the Cultural Revolution ex-
posed conservationists to attack by militants in-
spired by the ideology of transforming nature.
In 1931 and 1932, official support for class-
war Cultural Revolution came to an end. Profes-
sional institutions were in shambles, and little work
was being produced. In industry, with so many
workers being promoted and sent to university,
there was a shortage of skilled workers left in the
factories. In June 1931 Stalin officially rehabilitated
CULTURAL REVOLUTION
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ENCYCLOPEDIA OF RUSSIAN HISTORY