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A plethora of writers have had an impact on the literary world since
the 1960s with work that moved away from realist fi ction focusing on
the preoccupations, attitudes, and aspirations of Canadians toward
more experimental prose exhibiting the qualities of late modernism.
Many of the most popular novelists have been women offering insights
into the social alienation and personal struggles of their gender. Marga-
ret Laurence’s The Stone Angel (1961) and The Diviners (1974); Marga-
ret Atwood’s The Edible Woman (1969), The Handmaid’s Tale (1985),
and Alias Grace (1996); Alice Munro’s Who Do You Think You Are?
(1978) and The Love of a Good Woman (1998); Mavis Gallant’s From the
Fifteen District (1979); Joy Kogawa’s Obasan (1981); Marie-Claire
Blais’s Une Saison dans la vie d’Emmanuel (1965); and Anne Hébert’s
Kamouraska (1970) are read throughout the world. Carol Shields’s
novel The Stone Diaries (1993) won not only the Governor-General’s
Award but also the Pulitzer Prize. Other famous Canadian novels of the
period include Robertson Davies’s Fifth Business (1970) and The Rebel
Angels (1981), Timothy Findlay’s The Wars (1977) and Famous Last
Words (1981), Rudy Weibe’s The Temptations of Big Bear (1973), Roch
Carrier’s La Guerre,Yes Sir! (1968), Yves Beauchemin’s Le Matou
(1981), Hubert Aquin’s Prochaine Episode (1968), and Rohinton Mis-
try’s Such a Long Journey (1991) and A Fine Balance (1995). The inter-
national recognition of many Canadian novels has been enhanced by
their adaptation into feature fi lms, such as Michael Ondaatje’s The Eng-
lish Patient (1992), which won the Academy Award for best motion
picture in 1997.
Canadian poetry continued to be enriched and diversifi ed by the
lyric and prose verse of Margaret Atwood, Nicole Brossard, Anne Car-
son, Leonard Cohen, Robert Kroetsch, Anne Michaels, Michael
Ondaatje, Fernand Ouellette, and Al Purdy, among other notables.
Quebec playwright Michel Tremblay’s works are performed around the
world, while Marcel Dubé has made major contributions to French-
language theater. With the founding of the Stratford Festival and the
Shaw Festival at Niagara-on-the-Lake, along with alternative theater
companies such as Theater Passe Muraie and the Tarragon Theater in
Toronto, the Prairie Grain Exchange in Winnipeg, the Neptune Theater
in Halifax, and Centaur Theater in Montreal, English-speaking drama
came into its own with the emergence of playwrights such as David
French, John Gray, Sharon Pollock, George Walker, Judith Thompson,
and Tomson Highway.
The blossoming of Canadian visual arts in the post-1960 period is
evident not only in the number of internationally prominent artists but
THE ILLUSION OF CONSENSUS