the central residential buildings on the estates,
shopkeepers, craftsmen, and other dependents lived
and worked in smaller houses in the courts, which
also included nonresidential buildings and were
surrounded by wooden fences. Although the city
boasted a drainage system, the accumulation of
refuse required repeated repaving of the roads; fre-
quent fires similarly required the reconstruction of
buildings. Many of the town’s craftsmen were cor-
respondingly engaged in logging, carpentry, and
other trades involving wood.
Some buildings, especially churches, were of
masonry construction. The Cathedral of St. Sophia,
built in 1045–1050 from undressed stone set in
pink-colored mortar and adorned with five domes,
was the first such structure built in Novgorod.
Sponsored by Prince Vladimir Yaroslavich, it be-
came the bishop’s cathedral, the centerpiece of the
Sophia side of the city. From the beginning of the
twelfth century, princes, bishops, and wealthy bo-
yars and merchants were patrons of dozens of
masonry churches. Generally smaller than the
Cathedral of St. Sophia, they were located on both
sides of the river and also in monasteries outside
the city. Novgorodian and visiting artists and ar-
tisans designed and built these churches and also
painted icons and frescoes that decorated their in-
teriors. By the fourteenth and fifteenth centuries
they had developed distinctive Novgorodian schools
of architecture and icon painting.
The boyars and wealthy merchants of the city
also owned landed estates outside the city. Although
women generally did not participate in public and
political affairs, they did own and manage prop-
erty, including real estate. Among the best known
of them was Marfa Boretskaya, who was one of
the wealthiest individuals in Novgorod on the eve
of its loss of independence. On those provincial
estates, peasants and nonagricultural workers en-
gaged in farming, animal husbandry, fishing,
hunting, iron and salt manufacture, beekeeping,
and related activities. Although it was not uncom-
mon for the region’s unfavorable agricultural
conditions to produce poor harvests, which occa-
sionally caused famine conditions, the produce
from these estates was usually not only sufficient
to feed and supply the population of the city and
its hinterlands, but was cycled into the city’s com-
mercial network. After Ivan III subjugated Nov-
gorod, he confiscated the landed estates and arrested
or exiled the boyars and merchants who had owned
them. He seized landed properties belonging to the
archbishop and monasteries as well.
See also: BIRCHBARK CHARTERS; KIEVAN RUS; NOVGOROD,
ARCHBISHIOP OF; NOVGOROD JUDICIAL CHARTER;
POSADNIK; ROUTE TO GREEKS; RURIKID DYNASTY;
VIKINGS
BIBLIOGRAPHY
Birnbaum, Henrik. (1981). Lord Novgorod the Great: Es-
says in the History and Culture of a Medieval City-
State, Part I: Historical Background. Columbus, OH:
Slavica.
Dejevsky, N. J. (1977). “Novgorod: The Origins of a
Russian Town.” In European Towns: Their Archaeol-
ogy and Early History, ed. M. W. Barley. London:
Council for British Archaeology by Academic Press.
Karger, Mikhail K. (1975). Novgorod: Architectural Mon-
uments, 11th–17th Centuries. Leningrad: Aurora Art
Publishers.
Langer, Lawrence N. (1976). “The Medieval Russian
Town.” In The City in Russian History, ed. Michael
Hamm. Lexington: University of Kentucky Press.
Michell, Robert and Forbes, Nevill, trs. (1914). The Chron-
icle of Novgorod 1016–1471.London: Royal Historical
Society.
Raba, Joel. (1967). “Novgorod in the Fifteenth Century: A
Re-examination.” Canadian Slavic Studies 1:348–364.
Thompson, Michael W. (1967). Novgorod the Great. New
York: Praeger.
J
ANET
M
ARTIN
NOVIKOV, NIKOLAI IVANOVICH
(1744–1818), writer, journalist, satirist, publisher,
and social worker.
Nikolai Ivanovich Novikov was a prominent
writer, journalist, publisher, and social worker who
began the vogue of the satirical magazine. Cather-
ine II’s efforts to proliferate ideas of the Enlighten-
ment had injected new vigor in Russian writers in
the early 1760s. Hoping to demonstrate to the West
that Russia was not a despotic state, she established
a “commission for the compilation of a new code
of laws” in 1767 and published “instructions” for
the commission in major European languages—a
treatise entitled Nakaz dlya komissii po sochineniyu
novogo ulozheniya. She also began the publication
in early 1769 of a satirical weekly modeled on the
English Spectator entitled All Sorts and Sundries
(Vsyakaya vsyachina) and urged intellectuals to fol-
low her example. For a brief period, all editors were
freed from preliminary censorship.
NOVIKOV, NIKOLAI IVANOVICH
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ENCYCLOPEDIA OF RUSSIAN HISTORY