
241
THE
DISCRETE FOURIER SERIES
frequency. Therefore, the spectrum of Figure 7.14 is valid up to
n
=
on
=
2,
while
the spectrum of Figure 7.15 is valid up to
n
=
on
=
4. The signal
fit)
=
cos
f
+
cos 3t
(7.89)
has a period
T,,
=
2~r
and must be sampled at a frequency of 6, or six times over that
interval, in order to trust the sampled spectrum up
to
n
=
on
=
3.
7.4.4
Positive and Negative Frequencies
The normal exponential Fourier series contains terms for both positive and negative
frequencies. The discrete Fourier series, the way it was developed in the discussion
above, created a spectrum that ranged
in
n
from
0
to
(2N
-
1)
or
0
5
on
5
27~(2N
-
l)/To.
To
establish this orthogonality condition of Equation 7.73, however,
it is only necessary that
n
take on
2N
consecutive values. The discrete series analysis
can therefore be set
up
with all the
sums
over
n
starting at some arbitrary integer, say
no,
and ranging to
(2N
+
no
-
1) where
2N
is
still the number of sampled points in
the period. Equation 7.76, for example, could have been written as
2N+n,-1
(7.90)
n=no
The elements
of
the
[MI
matrix are generated by the same set of
k
values, but a shifted
set of
n
values:
(7.91)
Except for these modifications, the development of the discrete Fourier series would
be unchanged.
This flexibility in selecting the value of
no,
coupled with the sampling theorem,
allow discrete Fourier series spectra to be set up more like the regular exponential
Fourier spectra. If we set
no
to
-N,
then the sums over
n
range from
-N
to
(N
-
1)
and the spectra that result will range in frequency from
-2.rrN/TO
to
27iN
-
1)/To.
If, in addition, the signal is sampled at a rate
of
at least twice the highest frequency
present, there will be no aliasing in the spectrum that results
from
the discrete Fourier
series analysis.
Taking
such a range
for
n,
the two spectra shown in Figures 7.14 and
7.15 would become
as
shown in Figure 7.16. In this way a discrete Fourier series
spectrum can be generated that more truly represents the real Fourier spectrum of
the signal. The crucial step here is to know the highest frequency present.
This
is
sometimes accomplished by passing the
signal
through a filter that limits the hghest
frequency to a known value and then sampling at twice this rate or faster.
This way of looking at the discrete Fourier spectrum allows another interpretation
of aliasing. The spectral component at
n
=
3
in the spectrum shown in Figure 7.14
can be looked at as an “alias” of the true component at
n
=
-
1
of the upper spectrum
in Figure 7.16. The spectral component at
n
=
7
of
Figure 7.15 is
an
alias
of
the
true component at
n
=
-
1
of
the lower spectrum in Figure 7.16. These spectral