
creative artists and their presence on the interna-
tional scene in the years following the 1917 Revo-
lution. Like the contributions of his emigré
colleague writer Vladimir Nabokov and choreogra-
pher George Balanchine-Stravinsky’s enormous
contribution to his art significantly altered the
course of twentieth-century music. Stravinsky’s
compositions encompass every important musical
trend of the period (neonationalism, neoclassicism,
and serialism, to name a few) and include exam-
ples of all the major Western concert genres (opera,
ballet, symphony, choral works, solo works, and
numerous incidental works, including a polka for
circus elephants).
The son of a St. Petersburg opera singer, Stra-
vinsky attained international fame with his early
ballet, The Firebird (1910), composed for Sergei Di-
agilev’s Ballets Russes (with choreography by
Michel Fokine). Several important ballets followed,
including Petrushka (1911, also with Fokine) and
the seminal Rite of Spring (1913, choreography by
Vaslav Nijinsky), among the most famous works
of art of the twentieth century. Stravinsky’s com-
positions for the theater continued to trace a path
through the most significant musical and theatri-
cal idioms of his century, and include Les Noces
(1923, choreography by Bronislava Nijinska), Apol-
lon musagète (1928), and Agon (1957, both chore-
ographed by Balanchine). Although Stravinsky was
a supremely cosmopolitan figure, his music
nonetheless retained traces of its Russian origins
throughout his long career.
See also: DIAGILEV, SERGEI PAVLOVICH; FIREBIRD; MUSIC;
PETRUSHKA
BIBLIOGRAPHY
Stravinsky, Vera, and Craft, Robert. (1978). Stravinsky
in Pictures and Documents. New York: Simon and
Schuster.
Taruskin, R. (1996). Stravinsky and the Russian Tradi-
tions. Berkeley: University of California Press.
White, Eric Walter. (1979). Stravinsky: the Composer and
His Works. Berkeley: University of California Press.
T
IM
S
CHOLL
STRELTSY
The musketeers, or streltsy (literally “shooters”),
were organized as part of Ivan IV’s effort to reform
Russia’s military during the sixteenth century. In
1550 he recruited six companies of foot soldiers
armed with firearms, organized into tactical units
of five hundred, commanded and trained by offi-
cers from the nobility. These units were based from
the beginning in towns, and eventually took on the
character of garrison forces. Over time their num-
bers grew from three thousand in 1550 to fifty
thousand in 1680.
Militarily, they were ineffectual, mainly be-
cause of their economic character. The musketeers
were a hereditary class not subject to taxation, but
to state service requirements, including battlefield
service, escort, and guard duties. During the sev-
enteenth century, the state provided them with
grain and cash, but economic privileges, including
permission to act as merchants, artisans, or farm-
ers, became their principal support. One particular
plum was permission to produce alcoholic bever-
ages for their own consumption. They also bore
civic duties (fire fighting and police) in the towns
where they lived. Pursuing economic interests re-
duced their fighting edge.
Throughout the seventeenth century the mus-
keteers proved to be fractious, regularly threaten-
ing, even killing, officers who mistreated them or
represented modernizing elements within the mil-
itary. By 1648 it was apparent that they were un-
reliable, especially when compared with the
new-formation regiments appearing prior to the
Thirteen Years War (1654–1667) under leadership
of European mercenary officers. Rather than dis-
band the musketeers entirely, the state made at-
tempts to westernize them. Many units were placed
under the command of foreigners and retrained.
Administrative changes were made during and af-
ter the war, including placing certain units under
the jurisdiction of the tsar’s Privy Chancery, which
appointed officers and collected operations reports.
The Privy Chancery, and by extension, the tsar,
was at the center of the attempt to transform the
musketeers into more thoroughly trained western-
style infantry.
Further pressure to reform included official ne-
glect, even to the point of refusing to give the mus-
keteers weapons. Later decrees (1681, 1682)
replaced cash payments with grants of unsettled
lands as compensation for service. This change in
support reduced their status, without improving
their overall military effectiveness, and the muske-
teers vehemently opposed it. By 1680, many regi-
ments had been retrained and officered by foreigners,
but the conservative musketeers were anxious to
be rid of the hated foreigners and regain their eroded
STRELTSY
1488
ENCYCLOPEDIA OF RUSSIAN HISTORY