
Sultan-Galiev played a major role in the establish-
ment of Soviet power in Kazan and helped suppress
an anti-Bolshevik Tatar nationalist revolt there in
the first part of 1918. He was an early advocate of
the ill-fated Tatar-Bashkir Soviet Republic, promul-
gated in March 1918 but never implemented, and
of the Tatar Autonomous Republic founded in 1920
(today the Republic of Tatarstan). An able organizer
and public speaker, Sultan-Galiev served the Soviet
state during the civil war as chairman of the Cen-
tral Muslim Military Collegium, chairman of the
Central Bureau of Communist Organizations of
Peoples of the East, and member of the collegium
of the People’s Commissariat of Nationality Affairs.
This last position made him the highest-ranking
member of a Muslim nationality in Soviet Russia.
Sultan-Galiev’s numerous newspaper articles
and speeches outlined a messianic role for Russia’s
Muslim peoples, who would bring socialist revolu-
tion to the subject peoples of Asia and help them
overthrow the chains of European empires. Chief the-
orist of the so-called right wing among the Tatar in-
telligentsia, he hoped to reconcile communism with
nationalism. Although personally an atheist, he ad-
vocated a cautious approach toward anti-religious
propaganda among Russia’s Muslim population.
These views cause some emigré and foreign scholars
to characterize Sultan-Galiev as a prophet of the na-
tional liberation struggle against colonial rule.
By the end of 1922 Sultan-Galiev had come into
direct conflict with Josef Stalin’s nationality policy,
which he openly attacked in party meetings. He was
particularly concerned with two issues, (1) plans for
the new federal government (USSR), which would
disadvantage Tatars and other Muslim groups that
were not granted union republic status, and (2) the
persistence of Russian chauvinism and of a domi-
nant Russian role in governing Muslim republics. In
an effort to silence this criticism, officials acting on
Stalin’s initiative arrested Sultan-Galiev in May
1923 and charged him with conspiring to under-
mine Soviet nationality policy and with illegally con-
tacting Basmachi rebels. Although Sultan-Galiev
was soon released—stripped of his party member-
ship and all positions—a major conference on the
nationality question in June 1923 emphasized that
Stalin’s policies in this area were not to be challenged.
By the end of the 1920s, Sultan-Galievism (sul-
tangalievshchina) had become a common charge
leveled against Tatars and other Muslims and was
later deployed widely during the purges. Sultan-
Galiev was rearrested in 1928 and tried with
seventy-six others as part of a “Sultan-Galievist
counterrevolutionary organization” in 1930. His
death penalty was soon commuted, and he was re-
leased in 1934 and permitted to live in Saratov
province. However, his third arrest in 1937 was
followed by execution in January 1940. The case
of Sultan-Galiev was reviewed by the Central Com-
mittee in 1990, leading to his complete rehabilita-
tion and emergence as a new and old national hero
in post-Soviet Tatarstan.
See also: ISLAM; NATIONALITIES POLICIES, SOVIET; PEOPLE’S
COMMISSARIAT OF NATIONALITIES; TATARSTAN AND
TATARS
BIBLIOGRAPHY
Bennigsen, Alexandre A., and Wimbush, S. Enders.
(1979). Muslim National Communism in the Soviet
Union: A Revolutionary Strategy for the Colonial World.
Chicago: University of Chicago Press.
D
ANIEL
E. S
CHAFER
SUMAROKOV, ALEXANDER PETROVICH
(1717–1777), playwright and poet.
Ranked with Racine and Voltaire during his day,
Alexander Petrovich Sumarokov was a founder of
modern Russian literature, and arguably one of
Russia’s first professional writers. Together with
Mikhail Lomonosov and Vasily Tredyakovsky,
Sumarokov helped introduce syllabotonic versifica-
tion, created norms for the new literary language,
and established many literary genres and tastes of
the day. Sumarokov created the first Russian
tragedies, comedies, operas, ballet, and model poetic
genres including the fable, romance, sonnet, and
others. He established the national theater in 1756,
with the help of Fyodor Volkov’s Yaroslav troupe
(it became a court theater in 1759, and lay the foun-
dation for the Imperial Theaters). Sumarokov
published the first private literary journal, Tru-
dolyubivaya pchela (The Industrious Bee, 1759), in-
spiration for the “satirical journals” of the late
1760s and 1770s. An early supporter of Catherine
II, after her ascension to power (or coup) he was
given the right to publish at her expense, of which
he made prolific use. Despite poetic admonitions to
fellow noblemen to treat their serfs humanely,
when Catherine asked his opinion of freeing the
serfs at the time of the Nakaz, Sumarokov was dis-
missive. Gukovsky (1936) and others have tried to
link Sumarokov to a so-called noble “fonde” and to
SUMAROKOV, ALEXANDER PETROVICH
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ENCYCLOPEDIA OF RUSSIAN HISTORY