experience; we know it a priori if we know it independently of all experience.
Kant agreed with Locke that all our knowledge begins with experience, but
he did not believe that it all arose from experience. There are some things
that we know a priori, fundamental truths that are not mere generalizations
from experience. Among the judgements that we make a priori some, Kant
says, are analytic, and some are synthetic. In an analytic judgement, such as
‘all bodies are extended’, we are merely making explicit in the predicate
something that is already contained in the concept of the subject. But in a
synthetic judgement the predicate adds something to the content of
the subject: Kant’s example is ‘all bodies are heavy’. All a posteriori proposi-
tions are synthetic, and all analytic propositions are a priori. Can there be
propositions that are synthetic, and yet a priori? Kant believes that there are.
For him, mathematics oVers examples of synthetic a priori truths. Most
importantly, there must be propo sitions that are both a priori and synthetic
if it is ever going to be possible to make a genuine science out of meta-
physics.
The philosopher’s W rst task is to make plain the nature and limits of the
powers of the mind. Like medieval and rationalist philosophers before him,
Kant distinguishes sharply between the senses and the intellect; but within
the intellect he makes a new distinction of his own between understanding
(Verstand) and reason (Vernunft). The understanding operates in combin-
ation with the senses in order to provide human knowledge: through the
senses, objects are given us; through the understanding, they are made
thinkable. Experience has a content, provided by the senses, and a struc-
ture, determined by the understanding. Reason, by contrast with under-
standing, is the intellect’s endeavour to go beyond what understanding can
achieve. When divorced from experience it is ‘pure reason’, and it is this
which is the target of Kant’s criticism.
Before addressing pure reason, Kant’s Critique makes a systematic study of
the senses and the understanding. The senses are studied in a section en-
titled ‘Transcendental Aesthetic’, and the understanding in a section entitled
‘Transcendental Logic’. ‘Transcendental’ is a favourite word of Kant’s; he used
it with several meanings, but common to all of them is the notion of
something which (for better or worse) goes beyond and behind the deliver-
ances of actual experience.
The transcendental aesthetic is largely devoted to the study of space and
time. Sensations, Kant says, have a matter (or content) and a form. Space is
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