and boxes were so named because they were first made
from a tree called Box or Boxwood.
Boxes for gift-giving became popular over 2000 years
ago when the Roman priests encouraged people to send
presents during the seasons of rejoicing. The paperboard
box of current use originated in the 16th century, with the
invention of pasteboard. In Europe, one of the earliest
types of paper boxes was commonly known as a band box.
It was a box highly decorated by hand and was used to
carry bands and ruffles worn by the Cavaliers and Ladies
of the Court. It was not until 1844 that setup boxes were
manufactured in the United States. Starting with a
machine that cut the corners of the box, Colonel Andrew
Dennison soon found that manufacturing boxes by hand
was tedious work and developed the Dennison Machine,
which led to the creation of the Dennison Manufacturing
Company. The Colonel’s invention was revolutionary, but
until the Civil War, most consumer products were pack-
aged in paper bags or wrapped in paper. There were only
about 40 boxmakers in the country, and most boxes were
made by hand. For these 40 craftsmen the box business
was merely an adjunct to other lines of business, which
varied from printing to the manufacture of the consumer
items they would eventually pack.
In 1875, John T. Robison, who had worked with Colonel
Dennison and others, developed the first modern scoring
machine, corner cutter, and shears. These three machines
still form the machinery basis for most box shops, but it
was not until the end of World War II that significant
progress was made to improve the production of machin-
ery for the industry. Today’s machinery takes a scored
piece of blank boxboard through to the finished covered
box.
DESIGN
A defining characteristic of the rigid box is the freedom it
allows with respect to shape, materials, use of accessories,
and overall presentation (1). Rigid boxes may be large,
small, square, rectangular, or elliptical in shape. The basic
form is the lift-off-lid box. Examples of other forms are the
shell and slide book style, combining trays with different
hinged lids (for jewelry boxes) and combining rigid board
jackets with pockets for DVDs. The two major factors in
the appeal of the rigid box are quality and perceived
luxury. In marketing terms, a product must be shown to
its best advanatage. This is sometimes achieved by mak-
ing the product visible, especially when displayed at the
point of purchase. More is usually achieved by graphics,
window patching, and the use of transparent plastic lids
(2). A simple lift off box with good graphics may be enough
of an appeal, but a round, oval, or heart-shaped box may
be required for packaging chocolates.
MANUFACTURING PROCESS
The process starts when sheets of paperboard, made
principally from recycled fibers, are sent through a ma-
chine known as a scorer. The scorer has circular knives
that either cut through or partially cut through the paper-
board and form the box blanks from the full sheet. The
scorers must be set twice, once for the box and once for the
lid, since there is usually a variation of 1/8–3/8 in. (3.2–
9.5 mm) between the box and the lid. After the individual
box blanks are broken from the full sheet, they are stacked
and prepared for corner cutting. Once the corners are cut,
the basic box blank is ready. Die cutting, usually per-
formed on a platen press and an alternative method of
cutting blanks, is economically justifiable for large orders.
The blanks are now ready for staying. For small
quantities the box blanks can be sent through a single
stayer where an operator must first bend all four sides of
the blank to prebreak the scores. The single-staying
machine will then glue a strip of 7/8-in. (22-mm)-width
kraft paper of the required length to each corner of the
box. For greater quantities the boxmaker uses a quad
stayer. The quad stayer feeds the box blanks automati-
cally under a plunger that has the same block size as the
box or cover to be formed. With each stroke of the machine,
the box blank sides are turned up and stay paper is
applied to all four corners at one time.
After staying, the box is in acceptable form, requiring
only an attractive outer wrap. In most operations, the
paper box wrap is placed onto the conveyor gluer, which
applies hot glue to the back of the wrap and then places it
on a traveling belt. The wrap is held in place by suction
under the belt. As the wrap travels on the belt, either it is
removed from the belt by a machine operator, who manu-
ally spots the paperboard box on the wrap, or it is
automatically spotted by machine. After spotting, the
box and wrap move on to another plunger mechanism
where the wrap is forced around the box. Simultaneously,
nylon brushes smooth the paper to the four sides of the
box. Just before the plunger reaches the bottom of the
stroke, the wooden block splits, allowing metal ‘‘fingers’’ to
push the paper in the box. The wooden block then closes
together and completes its downstroke where felt-lined
blocks press the sides and ensure the gluing of the paper
to the inside as well as the outside of the box.
The manufacturing process described above is for the
simplest box, but the setup box can accommodate unusual
requirements with regard to windows, domes, embossing,
platforms, hinges, lids, compartments, and other varia-
tions. Standard variations of the rigid box include the
telescope box, the ended box, the padded-cover box, special
shapes (e.g., oval, heart-shaped), slide tray, neck or
shoulder style, hinged cover, slanted side, full telescope,
box-in-box, specialty box, interior partition, extension
bottom,
three-piece, slotted partition,
and interior plat-
form. This versatility is extremely valuable in meeting the
merchandiser’s demands for quality, quantity, and conve-
nience. Figures 1 and 2 show a familiar candy box and an
unusual configuration for cosmetics.
MATERIALS
Four primary materials are needed for manufacturing the
rigid box: chipboard (for the rough box), stay paper (to
hold the sides of the box together), glue (to hold the outer
BOXES, RIGID, PAPERBOARD 171